Categories
Bluegrass Music

Tidbits: Garcia, Ellis, SEMBMA, Circle TV, YouTube

Hey! Remember back on May 16, 2020 when my blog was about how the IBMA refuses to recognize Jerry Garcia as a viable influencer on bluegrass music (https://luegra.design.blog/2020/05/16/why-wont-the-ibma-recognize-jerry-garcia/)? WELL! It seems that this year’s World of Bluegrass virtual conference is having a presentation on Jerry and his work with the bluegrass music industry. Hmmm, I wonder where they got that idea from. Anyway, here’s a link to the description in the schedule: https://worldofbluegrass.org/schedule2020/ . It will be on October 1 at 11:00 am. I’m not expecting a thank you from IBMA, if you want to know.

Last Saturday the Southeast Michigan Bluegrass Music Association had its annual Hall of Honor ceremony. I was proud to see that Marvin “Red” Ellis was inducted. I wrote about him in a previous blog (https://luegra.design.blog/2020/03/15/red-ellis-and-the-forgotten-history-of-michigan-bluegrass/), and will continue to research the history of bluegrass music in the Detroit area. On a related note, there was a good article on the Miller Brothers in the September 2020 issue of Bluegrass Unlimited. The Miller Brothers were originally from Kentucky, lived for a while in Indiana, them moved up to the Detroit area for auto factory work. While in Michigan, they recorded a few bluegrass albums in the early 1970s. They are definitely a group that I hope to research more for the SEMBMA Hall of Honor.

Speaking of SEMBMA, the Association is now awarding scholarships to youth 13-18 years of age who are interested in pursuing further education with bluegrass music. The scholarships will be paid directly to the instructor/institution, and lessons can be in-person, over the internet, or some form of video. Students can be studying a stringed instrument (guitar, bass, banjo, mandolin, fiddle, dobro, autoharp) or studying vocals. For more information on the scholarships and to secure an application form, go to http://www.smbluegrass.org . Submission deadline is January 1, 2021 and may require a personal interview of the applicants by SEMBMA board members and/or the scholarship committee.

Late to the Party Department: I just discovered that Circle TV (www.circleplus.com) is available in my area over the air (I don’t have cable, and my mom’s cable service sucks to say the least). I don’t watch television much, maybe an hour a day, but now that I can watch Circle, I may make use of it since the pandemic still won’t let us go to see live music. I get to watch the Opry on Saturday night (although host Bobby Bones irritates the crap out of me), reruns of Hee Haw and The Beverly Hillbillies, some Ditty TV programs, Daily & Vincent, and even some CMA songwriter programs. Pass me the Doritos!

YouTube fiddle lessons videos: I may have mentioned FiddleHed here before, but if not, I highly recommend checking him out, even if you don’t play fiddle. I have an article on him for Fiddler magazine coming up in the Winter 20/21 issue. I bring him up because he is one of the few that actually “teach” the tunes. I recently did a search for fiddle instruction for the Bill Monroe song “Uncle Pen.” A lot of videos came up, but most of them were hardly instructional. They are usually just a camera pointed at the fingerboard during the “lesson,” and no slow downs or explanation of what the fingering is. That is not instruction, that is just showing off that you can do the lick. Thank you again, FiddleHed!

Chew on it and comment.

By Matt Merta/Mitch Matthews

Musician and writer (both song and print) for over 30 years. Primarily interested in roots music (Americana, bluegrass, blues, folk). Current contributing writer for Fiddler Magazine, previous work with Metro Times (Detroit), Ann Arbor Paper and Real Detroit Weekly, as well as other various music and military publications. As songwriter, won the 2015 Chris Austin Songwriting Contest (Bluegrass Category, "Something About A Train," co-written with Dawn Kenney and David Morris) as well as having work performed on NPR and nominated for numerous Detroit Music Awards.

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