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Lutherie Music

Unique Stamps and Wood

A couple of crazy things happened to me this past week. Crazy as in “good” crazy, and both are music related.

First, I went to my local post office a few days ago to pick up some stamps. I happened to be wearing a t-shirt with some fiddle bows on it forming the stripes of the US flag. Anyway, he hands me a small sheet of ten Forever stamps. They happened to be ones dedicated to bluegrass music, complete wit guitar, banjo, fiddle and mandolin. I asked if he purposely got me these stamps, and he said that they just happened to be on top of the pile.

I’m not using these. This sheet is going into a frame.

Next, I was talking to a co-worker that does some woodwork, While I dabble in lutherie, she is more into making furniture. We are talking about places to get wood, and she mentioned a small store near where I live called Homestead Hardwoods. The place deals with special woods like mahogany, walnut, and other pricier choices that craftsmen like to use for furniture, shelving, and wall covering. I do not have a Facebook account, but the store does, and I checked out a recent posting that stated “Reject Wood from Gibson.” I was curious to find out what Gibson they were referring to. The store is mostly by appointment only, but are open for a few hours on Friday and Saturday, so I went after work this past Friday.

I had passed the place hundreds of times on my way home, but never thought to venture in. This time, I entered to be greeted by the friendly co-owner. Before I could finish asking my inquiry, he confirmed that the small slabs of mahogany (roughly a 2×4 about 18 inches long) came from the Gibson Guitar factory in Nashville. These particular pieces were meant for the bodies of Les Paul Junior models but rejected by the factory inspectors. The guy at the shop told me that he occasionally gets wood meant for guitars and stays in touch with area luthiers. He also told me that he makes banjos on the side. I will definitely be keeping in touch with him.

Just the fact that they were from Gibson made me giddy. This was no ordinary wood – this was potentially going to be a solid-body guitar! I snagged a few that day, and went back today (Saturday) for more. Another co-worker who is also a guitarist told me that he would be interested in a few pieces for his curious collection.

I plan on saving a few for a possible guitar project, but I am also thinking of making a table out of a few, with perhaps the Gibson logo on the face. I am just fascinated with the background of this wood. While it is not a piece of unique history (I actually have a piece of the floor from the Grand Ole Opry that I cherish), this wood does hold a small place in my musical heart. I hope to make good use of it.

In the meantime, I‘ll still be working on guitars and such, thinking of great ways to use this great wood.

Chew on it and comment.

Matt Merta/Mitch Matthews's avatar

By Matt Merta/Mitch Matthews

Musician and writer (both song and print) for over 30 years. Primarily interested in roots music (Americana, bluegrass, blues, folk). Current contributing writer for Fiddler Magazine, previous work with Metro Times (Detroit), Ann Arbor Paper and Real Detroit Weekly, as well as other various music and military publications. As songwriter, won the 2015 Chris Austin Songwriting Contest (Bluegrass Category, "Something About A Train," co-written with Dawn Kenney and David Morris) as well as having work performed on NPR and nominated for numerous Detroit Music Awards.

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