Author: Matt Merta/Mitch Matthews

Musician and writer (both song and print) for over 30 years. Primarily interested in roots music (Americana, bluegrass, blues, folk). Current contributing writer for Fiddler Magazine, previous work with Metro Times (Detroit), Ann Arbor Paper and Real Detroit Weekly, as well as other various music and military publications. As songwriter, won the 2015 Chris Austin Songwriting Contest (Bluegrass Category, "Something About A Train," co-written with Dawn Kenney and David Morris) as well as having work performed on NPR and nominated for numerous Detroit Music Awards.

Categories
Consumer Electronics Lutherie Musical Instruments

Buys at the Livonia Swap Meet

So this morning I went to another swap meet. This one is sponsored by the Livonia Amateur Radio Club in Livonia, Michigan. It is an annual one that I always attend, and while about 75% of the items for sale are related to ham and amateur radio enthusiasts, the remaining 25% is made up of computers, consumer electronics, and musical instrument items. Forty years ago, there would be swap meets like this at least once per month in the area. These days, I only know of this one and the antique radio swap meet I hit last month, so finding needed electronic parts is getting difficult.

I picked up a few things that made it worth the trip. First off, I secured a brand-new Shure SM48 microphone for $25.00. I made sure to hand-weigh it to make sure it was the real thing and not one of those fake ones coming out of China (see my blog https://luegra.design.blog/2021/01/14/are-you-sure-that-its-a-shure/). For those who are unaware, the SM48 is a more budget-friendly version of the stalwart SM58. The frequency response is a little less bass responsive, but still does a great job as a dynamic vocal mic. I’m not sure if they are made any more, but they used to run for about $70.00 new, and I see online that used ones are going for about $30.00. Beware of ones advertised as new on Temu, Wish, or eBay for less than that, as they are fake Shure microphones.

I snagged a microphone shock mount in a bundle package with a 1970s-era AM bicycle radio from Radio Shack. I already have a shock mount, but for a few dollars, it was worth buying to have around, or perhaps selling for a buck or two more on Craigslist. The radio is one that I wanted as a kid for my bike. Back then, to have any accessory on your bike was cool, and a radio was one of the ultimate blings! Besides the AM band, it had a horn and reflector. It is missing the handle-bar mount, but it will look cool in my transistor radio collection.

One item that I was planning on getting from Harbor Freight soon is a U.S. General Mini Toolbox. I have been seeing positive reviews for these on YouTube. It has two drawers and a flip top, all with pads to store smaller tools and items without them banging around. The drawers have a magnetic closure so they won’t open if the box gets tilted. One vendor there had a few new ones for $15.00, which is a few dollars cheaper than what Harbor Freight regularly sells them at (I was waiting around for a sale). This will make a great way to store some of my luthier tools that are currently in a large tote, as well as small containers that hold screws and electronic parts.

There were two musical instrument vendors there, which I often see at the other swap meets that I attend. All of the items that they sell are too much for my wallet, pretty much going for what can be seen on eBay. There were also some other microphones that I would have considered if the prices were right. I enjoy hitting these events, but I have some complaints:
-Setting up the vendor tables with too narrow of aisles, so it becomes hard to move along when there are others stopping to look at items.
-People with backpacks that make it even more difficult to get through an aisle
-People that bring their kids, especially infants in strollers that literally take up the entire aisle, so you have to wait at the end until the inconsiderate grandpa pushes the stroller through.
-People who decide to stop and have a conversation with each other in one of the aisles instead of moving into an open area along the wall of the hall.
-People who decide to have a cup of coffee without a cover while walking the narrow aisles, and when bumped, the coffee spills, usually on me!

I hope to hit the Lansing Guitar Show on the weekend of March 7-8. On March 9th, I start a new job as a valet/porter at a car dealership. Working at a logistics company for the last five years has been a drain on my mental well-being, and I’m willing to take a cut in pay and change my hours to get back my mental (and physical) health back.

Chew on it and comment.

Categories
Bluegrass Banjo Lutherie

Tetomas Banjo/Guitar Mat

Over the summer, my nephew helped clean up my back yard of overgrown brush. For payment, instead of money, he asked for my banjo. It was a J.B.Player model, sort of an intermediate banjo with basic parts but did have the more professional tuning gears on it, not the cheaper acoustic guitar style tuners found on an entry-level banjo. I had not picked it up to practice in a long while, so I felt it was a decent trade. I gave him the banjo and all of the instructional books and videos that I had laying around. A few months later, I had the inkling to pick it up again, but alas, it was gone.

Last week, I was updating some of my Craigslist ads, when I decided to peruse the Music Instrument category. There was an ad for a Tetomas brand banjo with the better tuning gears. Most of the banjos I have seen on CL are usually the beginner models, or occasionally a professional ones costing way too much for my wallet. The seller was a guitarist that had it sitting around and wanted to get rid of it. For the price asking ($60.00), I figured that it might be worth a shot. I contacted him and bought it a few hours later.

Tetomas was a musical instrument brand made in Japan in the 1970s, producing mostly acoustic guitars, but as I see, other instruments like banjos. There isn’t much information available on Tetomas on the internet, so my assumption is that it is like the import brands like Glarry or Ktaxon is for beginners today. I was surprised to see that this had some care put into its construction, especially with the tuning gears. The tone ring and pot of the instrument are pretty basic, so again, it was probably meant for an intermediate market.

Whether it was the seller or someone else, the banjo was set up pretty bad. Two of the strings were wound on the tuners in reverse direction, and the bridge was way out of place. After adjusting the bridge, it came to life. The sound is good, definitely not of the quality tone like a Stelling or Gibson, but can cut through with a good bite when picked three-finger style. When played clawhammer style, it can be pretty loud. I went and bought some new strings (which I will put on soon) and some finger/thumb picks. It felt good to play the simple tunes like “Bile Them Cabbage Down” again. I will be picking up a strap and gig bag shortly, but I do plan on keeping it within reach while watching television to see what comes out of it.

A really good find I purchased at the Dollar Tree recently has proven to be a lifesaver in my luthier work. The store sells these garden knee pads for relief when kneeling while working in the yard. They are about 17×11 inches, made of a semi-hard foam with some rib texture on the surface. This is perfect for laying a musical instrument on while working on it, as it holds the instrument without slipping but doesn’t scratch. The cost was $1.50, well worth it I think. I have already gotten a lot of use from it while working on my next guitar build project, as I can fine sand the guitar body on it with out the body moving around, and doesn’t leave any scratch marks. I have a bigger guitar bench top that I use when I’m doing setups, but this little pad is perfect for the jobs like just working on a body or neck on its own.

Chew on it and comment.

Categories
Consumer Electronics Entertainment Industry

Catherine O’Hara RIP/Antique Radio Swap Meet

A little over a week ago, we lost one of the funniest, most talented comediennes of our lifetime. Catherine O’Hara passed away January 30th at the age of 71. I was so glad to have soaked in her talent since the 1970s.

While most people will remember her as the mother in the Home Alone film series, as well as her Emmy-winning role as Moira Rose in the sitcom Schitt’s Creek, I will always think about her early roles doing sketch comedy for the SCTV program.

She began working with the Second City Comedy Troupe in the mid 1970s in Toronto. The main cast became so popular that they developed a television show for CBC starting around 1976. This is where I was fortunate to witness her talent long befor many others in the US. Being in Detroit, my television viewing included Channel 9 out of Windsor, Ontario. The Second City crew, which included O’Hara, John Candy, Eugene Levy and Joe Flaherty, parodied many commercial and cable television shows. The humor was perfect for a teen like me. O’Hara had some amazing characters, including Las Vegas singer Lola Heatherton, Brooke Shields, Meryl Streep, as well as dozens of housewife roles in commercial spoofs. It was fantastic that NBC picked up the program and aired it as a 90-minute comedy on Friday nights.

O’Hara was supposed to join the Saturday Night Live cast in the late 1980s, but passed because she did not want to live in New York City. She instead moved into film. Along with her Home Alone work, she was in Beetlejuice as well as a few of the Christopher Guest mockumentaries. These were I loved her the most. In Best in Show, she played a dog owner that seemed to have had previous sexual relationships with almost every man she comes across during a Westminster-type dog show. In A Mighty Wind, she plays Mickey Crabbe, the female member of the “famous” 1960s folk duo Mitch & Mickey. In For Your Consideration, she plays Marilyn Hack, an actress who is being considered for an Oscar nomination.

In all of her roles, O’Hara exaggerated the human character, which made them all the familiar to the viewer. She was beautiful, talented, and made each role memorable. The internet exploded with tributes to her, which was well deserved. However, the most beautiful quote that she uttered when asked what her favorite role she has ever performed was “the mother of my children.”

Ms. O’Hara, you brought so much joy into my life with your comedy. You have taken a piece of my heart with you.

Last weekend I attended an antique radio swap meet in Waterford, Michigan. I go each year, looking for vintage microphones, 60s-era transistor radios, and any music stuff that is interested AND cheap. Most of the items I was interested in was way out of my budget range, but I did find a dealer selling some as-is transistor radios for $2.00 each. I grabbed six of tem, with one being of great interest. Made for Radio Shack and its Realistic brand, it is an AM radio with additional bandwidth to tune in airplane traffic if you are near a large airport. I always wanted one as a kid, but never got one for a gift. I grabbed it, with the intent to just put it on my display shelp of radios. When I got it home, YES, it actually still works! Only one other of the group is working, but I am completely satisfied with that find.

There was also a dealer there selling some guitar-related items. Again, most of it was either not interesting to me or way too pricey. However, I was able to get a Yamaha bass guitar practice amplifier for $15.00. The speaker grille cloth is torn, and whoever previously used it actually poked a few small holes in the speaker cone to get a more ratty sound, probably to use it for guitar. The amp works, although a bit low in volume at regular setting, but when the Drive switch is engaged, it seems to boost the volume considerable. I will probably take the front apart and replace the cloth when I get a chance.

Chew on it and comment.

Categories
Bluegrass Music

SPBGMA 2026 – What a (Six-Day) Long, Strange Trip It’s Been

Last week in Nashville for the SPBGMA conference was an adventure to say the least. Arriving Thursday saw sunny skies and 50 degrees. By Sunday, we had an inch of ice everywhere, power outages, and temperatures in the single digits. While it was hilarious that the local officials kept saying on the news that they were fully prepared, they were not, as when I left Tuesday morning, roads were still not plowed and I was on I-65 north not going faster than 40 mph until I was close to Louisville. This photo is of trees down at Vanderbilt University.

But enough about the weather. Let’s get into the conference.

Arriving at the hotel Thursday afternoon, there was already jamming in the lobby, and while the valets and other employees may not be into bluegrass, they are very courteous to all of the participants, whether or not staying at the hotel. While much of the jammers are pretty much amateur hobbyists, it is great to see professional bluegrass artists sit in at jam sessions. Moreover, some of the amateur players can be really impressive, especially the younger crowd. I caught two young gals, Maya Ross and Shay Morgan, dueling their mandolins to “Cherokee Shuffle.”

I was glad to see my favorite young fiddler, Hollace Oakes, not only jamming when available, but she was with a band that was registered in the Band Competition. This young lady is 15 years old, and I predict that by the time she is 21, she will be one of the most watched stars on the bluegrass circuit. She is that good!

One of my favorite bands out now, the Kody Norris Show, spent the weekend not only doing some hosting (Kody MC’d the band competition), but continually talking with fans and joining in on jam sessions. This band KNOWS the meaning of entertainment. They know that it is the fan base that lets them do what they do for a living, and are always providing friendly advice to musicians just starting out.

There were a lot of bluegrass bands performing over the four days. Some of my favorites included Dave Adkins & Mountain Soul, the Stephens Brothers (which is just the husband and wife duo that fronts the band High Fidelity), Edgar Loudermilk Band, Red Camel Collective, the Kody Norris Show, Nothin’ Fancy, Volume Five, Special Consensus, and my favorite bluegrass gospel band, the King James Boys (more on them later). It seems funny that, with the large room dedicated to the performances, it is usually about 1/4 capacity for these performances due to so many non-registrants jamming in the halls. For the price of the four-day admission, it is more than worth it to just sit back and enjoy all of the scheduled bands.

Once again, I got frustrated that they call the one seminar a Songwriter Workshop. Four songwriters up on stage talking about the songs that they wrote is NOT a workshop — it is a showcase! I wish SPBGMA would think about that.

I took my Cirrus guitar with me and had a few people try it out. Among them were Dave Adkins, Kenny Smith, and Kody Norris.

Saturday evening has the Awards Show. I am not a big fan of such shows, as I would pretty much skip the local ones, even if I was nominated for a category. To see a list of winners go to the Bluegrass Today article (https://bluegrasstoday.com/2026-spbgma-national-bluegrass-award-winners/). I did catch a great performance from Carson Peters & Iron Mountain.

What I find most heartwarming is the amount of young people, and I mean YOUNG, playing bluegrass and old-time music. Check out these three youngsters in the hotel lobby.

Sunday morning was when the storm had its biggest impact on the conference. Power went out around 5:00 in the morning, and lasted about eight hours. Of course, bluegrassers were not going to let something like no power get in the way (except for the few complaining that they couldn’t get their morning coffee). Both Daryl Mosley and the King James Boys performed their sets without a PA, and the people in attendance were more than appreciative. The final round of the band competition was also held without amplification, and all of the bands did a great job even with the handicap. The winner this year was Strings of Green. The whole list of bands and their ranking can be found here at Bluegrass Today (https://bluegrasstoday.com/strings-of-green-win-2026-spbgma-international-band-championship/). Honestly, I thought that Hollace Oakes’ band Travis Watts & Mountain Blessings did much better than 4th place, but that is my opinion.

Power came back on just as the conference was closing up. Unfortunately, the conference did not have all great news. Songwriter/banjo player Rick Faris had a banjo come up missing (https://bluegrasstoday.com/rick-faris-banjo-missing-after-spbgma/). As of this writing, it still has not been located. I am hoping that it was just mistakenly grabbed by someone else and will be returned. However, as the conference was closing and attendees were heading home after the storm, there was a large influx of people registering in the hotel that still did not have power. Bluegrass people are usually trustworthy around other people’s instruments. However, if there is an unknown crowd present, there is a better chance of something going wrong. Aside from the dogs leaving “calling cards” in the lobby and entrance, and tons of kids running around until all hours of the night, there were people walking around the hallways scoping things out. I truly hope that Rick gets his banjo back and there is a happy ending to this.

I got back home in one piece on Tuesday (I stayed an extra day, hoping to do some networking, but the roads in Nashville said NO). Despite the weather, I thoroughly enjoyed myself. I plan to go next year, even though I wish they would move the conference to November or March.

Next week’s blog will cover Catherine O’Hara and my visit to a local antique radio swap meet.

Chew on it and comment.

Categories
Bluegrass Music

Nashville and Winter Storm Fern

I’m in Nashville for the SPBGMA conference, and the winter storm that they have been talking about for the past few days is just starting to hit our area. The National Weather Service has named this storm Fern (uh, OK), and it will be a combination of snow, ice and rain in this area. Still no prediction of actual accumulation, but from what I saw this morning, the salt trucks are out on the roads.

I am off to do more networking within the hotel, and it looks like I’ll be here until Tuesday morning. I will update you on the conference (a lot of great bluegrass stuff!), when I get back home, probably next weekend. Stay safe if you will be in the eye of this storm.

Chew on it and comment.

Categories
Lutherie

“Fake Neck” for Guitar Finishing

For my next guitar kit build, I plan on finishing the body with only multiple coats of Tru-oil. The Strat body from this kit (from Leo Jaymz) is one piece, and has some great visible grain that I would not want to cover with paint nor stain it a different shade.

On the previous kit, I had a tough time oil finishing the body on a bench, as laying it on one side while trying to coat the flipside meant that you had to let it dry for at least a day before flipping. I attempted to hang the body from a hangman-type device I built. This meant that I could not get a good grip on the body, and I had to do it outside because of the size of the device. As it is now winter, and I don’t want to wait to get started on the build.

I happened to watch a few YouTube videos on guitar finishing, and on one of them, the luthier had taken a scrap piece of wood, cutting it to fit into the neck slot so that he could clamp it to the workbench. With that, he was able to do the finishing without laying it on the bench, flipping it over, then letting both sides and ends dry with even coats.

I went to a local Home Depot, and since I didn’t find any suitable scrap wood, purchased an 8-foot 1×3 furring strip for under $3.00. I cut a 2-foot piece off (so I can actually make four of these fake necks). I cut a notch on one end 1/2-inch x 4 inches, so that it would fit snug into the neck slot.

I drilled 1/16-inch holes into the slot section of the board, then for securing the fake neck, I’m using two 6-32×2-inch screws and 6-32 wing nuts. The total cost for this comes to less than $3.00 each for the four that I plan to make (keep two, give the others to fellow kit builders). This will definitely prove to be an extremely useful tool when staining and finishing bolt-on guitar bodies. Since I’ll be using Tru-Oil on this next project, I can do all of the work indoors, as Tru-Oil doesn’t have nasty fumes.

I will be heading to Nashville next weekend for the SPBGMA conference, so the weekly blog may be short and/or delayed. I will have a good summary of the conference when I get back.

Chew on it and comment.

Categories
Bluegrass Music

Cirrus Jam/Bluegrass in Superclass/Craigslist

I don’t usually attend open jam sessions, as being a songwriter, I tend to lean more toward writing and co-writing original material instead of playing covers, especially with other musicians of varying competence and choice of songs. However, I did want to attend a particular one held this past Thursday by Mike Frank, the gentleman who built my Cirrus acoustic guitar. The jam session was held in a small waiting room/lounge attached to his workshop, and was co-organized by his assistant Steve.

Mike and Steve were extremely welcoming to everyone there, which totaled eight jammers including myself and those two. Mike provided refreshments and was more than willing to show everyone around the shop and the guitars they are working on. Mike showed me a list of bluegrass musicians he has orders from, so his reputation for a solid guitar at an affordable price is getting around.

Two hours were spent playing covers of bluegrass, folk, and Celtic songs, with an abundance of acoustic guitars, although Steve did pull out his banjo and mandolin, and there was another banjo player there. While I would have liked to have done more classic bluegrass songs, it was good to hear what others liked to perform. The doors opened at 5:30 in the evening, the jam started at 6:00, and wrapped up a little after 8:00. Being once per month makes it something to easily fit into my schedule without growing tired, so I will definitely be attending again. Many thanks to Mike and Steve.

I took Friday off of work to get my windshield replaced, and afterward took a trip to Toledo (actually, suburban Oregon, OH) to attend the second day of the three-day Bluegrass in Superclass festival at the Maumee Bay Lodge. Google sent me on a crazy route to get there, and the wind advisory all day that was tossing my subcompact care around didn’t help. The lodge is a really nice place to be sure, and they had a hall set up for the performances with ample seating.

The big reason I went down is that the Kody Norris Show was headlining. The band is definitely one of my favorite live shows, it’s no wonder that they keep winning SPBGMA awards every year. As I was walking around the hall, Kody spotted me and came over to say hello. Soon the rest of the band came along and were happy to see me as well. I was able to spend a few minutes talking to fiddler Rachel Norris about some original material as well as getting more press for the band. She actually inspired me to consider doing an online magazine dedicated to bluegrass musicians and instrument manufacturers, eyeing the musicians themselves as the potential readers.

Of course, they put on a fantastic show. I video recorded one of the band’s songs to send to a co-worker. I won’t post it here, as the room as not well lit and it came out grainy. Unfortunately, I was not able to stick around for the second set, but we made an agreement to get together for some writing at SPBGMA in two weeks.

As for the festival, it makes a great getaway for those of us in the area needing a bluegrass fix in the middle of winter without having to drive 12 hours to a festival down south. I do plan on keeping this one in my calendar for next year, even if only for a day. I also found a much better way to get there without Google’s help.

So as far as my music stuff listed on Craigslist, I got a real doozie of an email last week. I decided to put up that Dean Playmate bass up for sale, and listed it for $70.00, knowing full well that I would probably accept a lower offer and lose a few dollars on the overall deal. Well, I got an offer that has made me and everyone I have told about it just scratch their heads and laugh.

Someone emailed me to offer a trade on the bass for a 2025 Nike hat with adjustable headband. Really? A Nike hat isn’t worth more than $20.00 brand new (I’m sure his was worn). Not even a music-related hat, just a Nike. And he never said if it was limited edition or if someone like Tom Brady autographed it. It was such a joke of an offer that I only responded “No thank you,” as I usually reply with an explanation. That offer didn’t even require an explanation, it was embarrassing. Obviously the guy didn’t get the hint of “get lost,” as he has to write band saying “well, then I will pass on the offer.” Uh, I didn’t make a counter offer, but I let him have his last word.

This incident was almost worse than the exchange I got a few months ago. I have a made in Mexico Fender Stratocaster on CL for $500.00. One guy wrote me that he would take it for $225.00 CASH (his emphasis, not mine). Oooh, like I would consider being paid by Venmo or PayPal and I was that desperate for cash. Similarly, I wrote back a no-thank you reply, but did give him a little explanation.

Chew on it and comment.

Categories
Bass Guitar Lutherie

Dean Playmate Bass Guitar

I spent a few weekends over the past month taking a good look and working on the Dean Playmate bass guitar I purchased back in August at the US-12 Longest Yard Sale (https://luegra.design.blog/2025/08/09/us-12-yard-sale-2025-sembma-picnic-2025-misc/). Upon closer inspection, I see that the thing has been through a lot of abuse. I never planned on keeping it, but it would need a lot of work cleaning up to make it playable again.

The first thing I did was remove a bunch of stickers with the help of Goo Gone. That took a lot of elbow grease to be sure, but I was able to get them all off without taking off any paint. The biggest concern with the bass was that the pickguard was not original, but a generic P-bass replacement. Dean had cut a special pickguard for this bass, and whatever happened to it I will never know. I did some research on this bass, and Playmate was made as a low-cost alternative to Dean’s professional line of guitars and basses. This particular bass was made sometime in the 1990s, so I knew that finding an exact pickguard replacement would be impossible.

The replacement pickguard fits over most of the original area, but left a gap right around where the output jack is mounted. I first thought of cutting a special section of pickguard to cover the area, but then did not want to invest much more time and money into the bass, so instead I traced the current pickguard area, filled the uncovered cavity with some wood putty, sanded it down and applied some similar-color artist paint to the area. Not professional, but it does the job, and again, I didn’t want to pour more money into this cheap bass.

The replacement pickguard also had holes drilled for a thumb rest. Again, I didn’t want to invest more money into it, as a plastic rest would have cost around $10.00 plus shipping if I ordered it. Instead, I cut a piece of hardwood to fit, painted it with a Sharpie pen, and it serves the purpose.

Setting it up for playing was another story. The bridge saddles were set up totally opposite to what should be for a guitar, in that, if you look at the saddle placement on a typical bass, the E string saddle is usually set back a bit farther than the G string saddle, with the A and D string saddles compensated likewise. This one had the G saddle adjusted way back, and sure enough, the intonation was off considerably. As I said before, this bass must have been though a lot of sweaty hands, and the bridge/saddle area was full of surface rust. I cleaned it off as best that I could, and adjusted the saddles for better (not perfect) intonation. The screws and springs on the bridge were heavily corroded, so even with the best of cleaning, there is still some corrosion showing. It would be too much cost to replace with a similar bridge.

Looking back, I paid a bit more than I should have for this bass, and perhaps I should have given it a better once-over before handing over the money. Dean has a good reputation for its guitar lineup, but this one is over 20 years old, and the Playmate series today just consists of an acoustic bass guitar. Used Playmate solidbody basses from the previous few years go for about $150.00, give or take a sawbuck. As I said, I don’t plan on keeping it, and from the original cost I paid, along with the time and pocket change I invested, I figure that I will be losing some money on this. If I don’t sell it within the next year, I’ll probably hand it off to some young kid interested in learning the bass. It did teach me a few things about buying used equipment, as well as working on guitars that I haven’t done before.

Chew on it and comment.

Categories
Home Recording Lutherie Songwriting

My 2025 in Review

Taking a look back at 2025, there are a few things that I learned about what I do related to music, both positive and negative. Here are some thoughts:

Freelance writing – I pretty much confirmed earlier this year that my last regular freelance writing gig dissolved. Fiddler Magazine hasn’t published online in over a year, and the print version left us about two years ago. I still have not heard back from the editor/publisher regarding what has happened, and I received a Christmas card form the former editor Mary Larsen checking in, which I truly appreciated. I am not sure how much more I will keep freelancing, as it is extremely difficult to find paying gigs thanks to AI. So many publications are folding, going online, or just keep their few contributing writers on. I loved writing, interviewing artists, reviewing releases, and networking. However, that outlet is drying up fast, and there is little motivation to pursue it further. This blog will at least keep my writing chops up.

Cirrus Guitars – After 40+ years of playing guitar, bass, and a few other instruments as a hobby and live on stage, it was exciting to have a guitar specially built for me. While my specifications were not elaborate, I loved the fact that it was my choice of what went into that acoustic guitar. The wait of three months was well worth it. Mike Frank at Cirrus was such a great person to work with, keeping me updated on the progress. My Martin D-28 is still my wife, but playing the shorter-scale Cirrus acoustic has got me playing bluegrass flatpicking leads a little easier.

Lutherie – While I’ve always done a lot of basic maintenance on my guitars, and have done simple modifications throughout the years, this year, I did a lot more hands-on work with repairs and building. It started with a major repair to a mandolin late last year that worked out well, and now getting DIY guitar kits that I could finish on my own. My first kit taught me a lot, especially with finishes and knowing that it takes a lot of time to get a good look. I have a few more kits that I got good deals on, including a P-bass kit that I plan to do a pickup modification. Another positive experience from this work is that I motivated a co-worker to get into the guitar-building hobby. She has done previous woodworking, but was so impressed with my last job that she has jumped right in. I got her a simple Tele-style kit, and within days, she was already staining the body. It does my heart good.

Suno.com – Now that I am recording my song demos on an 8-track digital recorder, I can do a lot more instrumental and vocal layering. When I was talking to Brent Baxter from SongwritingPro.com during my last trip to Nashville, he was praising Suno for its AI embellishing simple demos to sound like a studio recording. I joined Suno at their basic $10/month rate. This only allows you to upload a song and do basic editing of length. I decided to go for the Premium Studio rate at $200/year. Well, I downloaded a basic guitar/vocal song, and was not happy with with the results. First off, if you don’t have the most up-to-date computer (you cannot use it on a phone app), you cannot get into the Studio application. Next, it uploaded the lyrics it sensed, which were incorrect in a few places, but there was no way to correct them. Finally, this song is a fast-paced bluegrass number, but the Studio application (when I was able to get in) turned it into a mid-tempo pop-country number. I am totally disappointed with this program, and I am out $200 unless I get a better computer, which isn’t likely for a while. In short, Suno seems to be set up for people who write lyrics and need a ready-made studio band to put music on his/her words.
For 2026, I plan to do more guitar-kit building, songwriting and recording, hopefully more co-writing, and as a non-related goal, find another full-time job that is not as stressful as my current one.

I hope everyone had a wonderful Christmas, and that 2026 will be prosperous for all. Chew on it and comment.

Categories
Americana Music

Joe Ely RIP

It’s getting sad that I keep having to talk about the death of a talented musical artist every week, but here we are again.

Joe Ely flew under the radar when it came to the mainstream country and rock worlds, but he was revered in the Americana, roots-rock, and even punk music crowds. His live shows were powerful, yet it was his songwriting and vocal performances, so soulful and gritty, that hit the listener hard in a good way.

Ely passed away on December 15th at the age of 78. Although his final residence was in New Mexico, he was a Texan blood and bones. His first legendary work came in 1971 when he joined two other Texas troubadours, Jimmie Dale Gilmore and Butch Hancock, to form The Flatlanders. They recorded an album the next year, but broke up soon after its release. That album, All American Music, was only released as a limited 8-track tape for contractual obligations, but became a cult classic among roots music audiophiles. There was such a high demand for the music that Rounder Records re-issued it in 1990 as More a Legend Than a Band. The trio reunited occasionally throughout the years, but began recording again, beginning in 1998 for The Horse Whisperer in 1998 (director Robert Redford had asked Ely to write music for the soundtrack).

Ely began touring and recording full-time around 1977. During a tour of London, he became friends with the punk band The Clash. Besides performing together, The Clash mentioned Ely in their song “If Music Could Talk,” while Ely donated background vocals to the band’s hit “Should I Stay Or Should I Go.”

Along with the long solo career and work with The Flatlanders, Ely was also a member of Los Super Seven, along with Raul Malo who passed away two weeks ago. That band won a Grammy in 1999 for its self-titled album in the Best Mexican/Mexican-American category.

In 2007, Ely received a Lifetime Achievement Award from the Americana Music Association. In 2016, he was crowned Texas State Musician for that year, and was entered into the Austin City Limits Hall of Fame in 2022.

In 2002, The Flatlanders appeared at the Americana Music Association’s conference and awards show. This is where I got to meet Ely, and he was one of those guys who appreciated people appreciating him and his work. We talked for a while, and I hung out with the trio for a while after their private performance. It was a prayer answered to be able to meet the man who recorded one of my favorite roots-rock songs, “Musta Notta Gotta Lotta.” Talk about showing your love and respect for the pioneers like Jerry Lee Lewis!

Joe, thank you for all the wild and fun music that you have given us, and I hope that God is giving you a honky-tonk to perform at up there.

Chew on it and comment.

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