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Bluegrass Banjo Comedy Lutherie

Leo Jaymz Guitar Kit/Banjo Practice/Fashion Show Parody

My second guitar kit is finished. Lessons learned from my previous kit were followed, and new lessons learned as well. This was a lit from Leo Jaymz. The Strat-style body had a nice grain structure for the most part, so instead of any paint or even stain, I chose to just finish it with Tru-Oil. There are about a dozen coats on the body, with light sanding between every two coats, and buffing/polishing afterward with car polish.

I would give my work on the body about a 7 out of 10, as the back of the body has a few drip spots from the oil that I had thought I sanded out. The wiring is a lot easier to work with than the first kit, which was a Fesley. Absolutely no soldering was needed, so it makes an excellent starter kit. My one problem is that, while the neck/body joint fit perfectly, the cut of the cavity in the body for the neck joint is ever-so-slightly off, by about a 1/32 of an inch. Thus, the low E string is closer to the neck edge near the joint than the high E string. Barely noticeable, but noticeable anyway.

As expected, much of the hardware is low-end. The tuning gears are rough when turning, and if I plan on keeping this guitar, these will definitely be replaced. The pickups are low-output, which is not a concern for me right now, but I could either replace them or do an update with magnetic pole pieces. I’m not a fan of the design of the headstock. I would have preferred a Strat-style cut, and this one is more like the old Epiphone batwing style.

I have a few other kits that I plan on building soon, including a Precision-style bass that I want to put in some modifications to make it unique. But they are being put on the back burner, as I want to spend my free time over the next few months working on playing the banjo again.

Since I haven’t practiced the banjo in so long, and giving my last banjo to my nephew, getting back into the swing of Scruggs-picking has been a chore. The ring finger on my picking hand has a problem known as Trigger Finger, which makes it difficult and painful to bend at times. Fortunately, it’s not one of the picking fingers, but I still feel pain when I rest it on the banjo head.

I’ve also given my nephew all of my instruction books and videos, so I am back to learning on my own and by watching YouTube videos. I still remember a few basic rolls, but in watching the videos on YT, there are not many that are too helpful to the beginner. Almost none show tablature while showing fingering in the video. My best way of learning things like this has always been the combination video and book. Right now, I am shopping around for one or two DVD/booklet packages. But until then, I am committed to spending a few minutes each day just practicing rolls.

And now for something completely different.

Nothing bluegrass, music, or lutherie related. While surfing on YouTube a few days ago, this video popped up. I haven’t stopped laughing since, and immediately subscribed to the channel. The guy has perfectly parodied the modern fashion-show runway and its models. I hope that you enjoy it half as much as I have.

Chew on it and comment.

Categories
Comedy Music Industry

Bil VornDick/Larry Storch RIP

This past week, a stalwart in the bluegrass community passed away. Someone who was better known for being behind the mixing board. Bil VornDick had spent over four decades getting the most clear acoustic sounds from instruments as an engineer and producer.

He started work with Marty Robbins and Loretta Lynn back in the late 1970s after graduating from Belmont University, and helped bring in the new acoustic sound in the 1980s, working with Marc O’Connor, Bela Fleck, Jerry Douglas, and Alison Brown to name a few. After working with Alison Krauss on her first two albums, he continued to work many newgrass-style artists, including New Grass Revival, Peter Rowan, and the Country Gentlemen. He also worked with a number of mainstream country and bluegrass artists, including Marty Stuart, Trace Adkins, Del McCoury, Sweethearts of the Rodeo, and Rhonda Vincent.

His work totaled 40 Grammy nominations and nine wins. He produced the critically-acclaimed Clinch Mountain Country, which showcased Ralph Stanley singing duets with Bob Dylan, George Jones, Gillian Welch, Patty Loveless, and Vince Gill among others. He also campaigned to save the famous RCA Studio A in Nashville from demolition.

I talked with Bil a number of times. I interviewed him for an article on a Jom Lauderdale album he was producing, and met up with him a number of times when the IBMA World of Bluegrass conferences were still in Nashville. He was always laid back, and was very open about his techniques on engineering in the studio. He will definitely be missed by so many bluegrass and Americana artists who relied on him to get the best sound on record.

Comedic actor Larry Storch passed away Friday at the age of 99. This guy could portray any character needed. He was an amazing actor to say the least. Probably one of the most underrated actors ever. His list of film and television appearances, as well as cartoon voice-overs, is endless.

However, he is probably best known as Corporal Randolph Agarn in the 1960s television comedy F-Troop. That series only lasted two seasons, but each episode was a gem. His dialogue interplay with Sergeant O’Rourke (played by Forrest Tucker) was comparable to any great comedy team. He was the butt of many jokes on the show, and would dress up in any costume to make sure that the scene would get the greatest laugh. His comedic greatness was great in dialogue, physical slapstick, and facial expressions.

I have always loved his work, and always thought that he was not given his dues, often taking lousy roles in cheap horror movies and sub-par television shows in the 70s and 80s. True fans of the Golden Age of Television knew of his talent, and that talent can never be replaced.

Chew on it and comment.

Categories
Comedy Musicians

I Will Never Be a Good Fiddler / Norm McDonald

I know that I will never be a decent fiddler. Sure, I practice almost every day, but it’s usually for 15 minutes or less because of my schedule. It’s not like I’m not motivated, it just has a lot more to do with my life’s situation.

Age: I’m 57, and it’s hard to teach an old dog new tricks. I’ve been practicing regularly for about two years now, but it’s hard for a lot of things to sink in when you have so many other concerns in your life.

Health: I’m overweight, a diabetic, and the arthritis is starting to kick in. Time that could be spent practicing the fiddle is spent exercising just so I don’t have a heart attack in the near future. The arthritis is affecting not only my fingering of the violin, but fretting the guitar as well. I have a tough time playing simple bluegrass leads on guitar that were easy to do just a few years ago.

Responsibilities: I’m taking care of an 89-year-old mother now, pretty much all of the time outside of my job. I squeeze in writing, music practice, and lutherie whenever the opportunity arises, but it is usually just a few minutes each day. Even doing this blog, which I commit to once per week, has to be planned out by getting up earlier than usual. My laptop is always open because, if mom decides to nap for a few minutes, I can run over and type a sentence or two.

Lessons: I thought about getting lessons from a live teacher, but COVID killed that idea a year ago, and now that the possibility exists again, my schedule will not allow for me to drive somewhere else for the help. So I resort to my instruction books and videos, but there is not that extra care that comes from a live teacher. Moreover, a lot of the videos on YouTube lack motivation. You do a search for a certain technique, say, learning the Georgia Shuffle. So you find a dozen videos, but it seems that most of them are 10 minutes long with 7 minutes of rambling talk and 3 minutes of playing without any pausing for slow learners. Oh, there are some good videos, but slushing through all of the garbage becomes defeatist.

So I am pretty much accepting that I may not be able to play much with a band, do solos, or even learn tunes that I want. I will keep doing the few minutes every day, with the hope that things will change in my life for the better.

Last week, comedian Norm McDonald passed away form cancer complications at the age of 61. The man had the most dry sense of humor I have ever witnessed from a comedian. I remember his time at Saturday Night Live, although I did not watch it that much at the time. SNL hired in comic actors for their writing capabilites, ability to impersonate famous people, and of course, ad-libbing. Norm was stuck on the show doing impersonations of Bob Dole and Burt Reynolds, but his forte was anchoring the Weekend Update News skits. He could deliver fake news and truly make you believe it while you were laughing your head off. They kicked him off the show because he let it all out. He was a comedian’s comedian. His laid-back way of telling jokes was like a good friend telling a great story. There was no obnoxious, in-your-face delivery. He just stated the schtick in a matter-of-fact way that was perfect. You sat for a second wondering if he was serious about what he just said, then he would move on and you would finally get the joke. He never lamented on his cancer, and went on with his comic lifestyle as if nothing was wrong. More people should be so humble. Norm, your sense of humor will be missed, especially during these divisive times.

Chew on it and comment.

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