This past week, a stalwart in the bluegrass community passed away. Someone who was better known for being behind the mixing board. Bil VornDick had spent over four decades getting the most clear acoustic sounds from instruments as an engineer and producer.
He started work with Marty Robbins and Loretta Lynn back in the late 1970s after graduating from Belmont University, and helped bring in the new acoustic sound in the 1980s, working with Marc O’Connor, Bela Fleck, Jerry Douglas, and Alison Brown to name a few. After working with Alison Krauss on her first two albums, he continued to work many newgrass-style artists, including New Grass Revival, Peter Rowan, and the Country Gentlemen. He also worked with a number of mainstream country and bluegrass artists, including Marty Stuart, Trace Adkins, Del McCoury, Sweethearts of the Rodeo, and Rhonda Vincent.
His work totaled 40 Grammy nominations and nine wins. He produced the critically-acclaimed Clinch Mountain Country, which showcased Ralph Stanley singing duets with Bob Dylan, George Jones, Gillian Welch, Patty Loveless, and Vince Gill among others. He also campaigned to save the famous RCA Studio A in Nashville from demolition.
I talked with Bil a number of times. I interviewed him for an article on a Jom Lauderdale album he was producing, and met up with him a number of times when the IBMA World of Bluegrass conferences were still in Nashville. He was always laid back, and was very open about his techniques on engineering in the studio. He will definitely be missed by so many bluegrass and Americana artists who relied on him to get the best sound on record.
Comedic actor Larry Storch passed away Friday at the age of 99. This guy could portray any character needed. He was an amazing actor to say the least. Probably one of the most underrated actors ever. His list of film and television appearances, as well as cartoon voice-overs, is endless.
However, he is probably best known as Corporal Randolph Agarn in the 1960s television comedy F-Troop. That series only lasted two seasons, but each episode was a gem. His dialogue interplay with Sergeant O’Rourke (played by Forrest Tucker) was comparable to any great comedy team. He was the butt of many jokes on the show, and would dress up in any costume to make sure that the scene would get the greatest laugh. His comedic greatness was great in dialogue, physical slapstick, and facial expressions.
I have always loved his work, and always thought that he was not given his dues, often taking lousy roles in cheap horror movies and sub-par television shows in the 70s and 80s. True fans of the Golden Age of Television knew of his talent, and that talent can never be replaced.
Chew on it and comment.