A day late, but I have a few excuses. First off, because of the holiday weekend and I chose to stay home, a friend asked me to watch her dog while she went to her cottage. A big dog, so I couldn’t bring her to my house, so I was over there a few times each day to feed her and take her outside.

Secondly, I spent the little bit of free time to finish my kit guitar. Yes, after months of plodding along doing a little at a time each weekend, this weekend I put all of the hardware on, mounted the neck to the body, and did the whole set up. This was the Fesley Stratocaster kit I purchased back in May of 2024. I really didn’t start working on it until this past January, and had a few bumps in the road with finishing the body. The final finish has a distressed look with shades of light blue.

After putting the hardware on, which was relatively easy, especially with Fesley providing a thorough instruction manual, I got into the set-up, which I have always enjoyed doing with all of my guitars since I started playing over 40 years ago. For anyone starting off playing guitar or any other stringed instrument, you will never realize how important a good set-up is until it is performed. On an electric guitar, this includes neck bowing adjustment, string height, and intonation/adjusting the bridge saddles. I have discussed guitar maintenance before, and I highly recommend anyone even a little bit interested in playing guitar regularly to be familiar with what goes on, Watch YouTube videos as well as secure a good guitar maintenance/repair book like Guitar Setup & Maintenance by Chad Johnson (Hal Leonard Publishing ISBN 978-1-4584-1824-1).
Once fully set up, I plugged her into an amp to test her out. This kit happened to be pre-wired, so the pickups, switch, volume/tone controls and wiring was already complete – all I had to do was drop the wired pickguard into place. The pickups give off a good Strat sound, although are a bit noisy when a single pickup is switched on. I plan to take the pickguard off soon and line the body cavity with some aluminum foil tape to hopefully suppress some of the buzz. In the 2 and 4 switch positions, which combines either the neck/middle pickups or the middle/bridge pickups, the noise cancels out, and it was a nice warm sound. These two settings have always been my favorite on a Strat, giving off a glassy tone.
Speaking of which, I have never really been a fan of the volume/control configuration for most Strats. This consists of one volume and two tone controls (one for the neck/middle pickup and one for the bridge pickup). Tone controls on most electric guitars are passive, meaning no amplification is there, and the controls only act as cutting back on the tone, namely the high end. Rarely do guitarists mess with the control and usually keep it at 10, since cutting back on the treble also means cutting back on the output of the pickup. In my younger days when I really experimented with guitar wiring, I would often mess with the tone control by re-wiring it to a low-cut control or adding a switch to turn the tone control completely off. Perhaps with a later kit, but this one I just wanted to get it together and see/hear the finished product.
As an added touch, I named the project an Ambertone. I always like the color of ambertone (sort of a honey color, just slightly darker than a natural finish), and Amber is also the name of a co-worker that does a lot of woodwork who has taken some interest in this project.

I may jump into the next kit soon. I have another Strat, a Telecaster, and a Precision Bass kit waiting in the wings. I know that for the bass, I plan on doing a lot more customizing by adding a second pickup, so that one may have to wait for a while. For either the Strat or Tele, I am interested in finishing the entire body with only the Tru-Oil finish (https://luegra.design.blog/2025/05/10/tru-oil-for-guitar-finishing/). I also still want to attempt to finish one of the guitars with a special green stain dye that I ordered sometime back.
Chew on it and comment.




