Categories
Old-Time Fiddle

2024 Michigan Old-Time Fiddlers Contest: Sad Turnout

Last weekend I attended the 36th Annual Michigan Old-Time Fiddlers Contest, held each year in New Boston during the Huron Township Applefest. I have always accepted the fact that this is not a big event drawing dozens, if not hundreds, of fiddlers to compete like the Galax, Virginia or Weiser, Idaho contests. However, this year was extremely disappointing, and the musicians that consider themselves old-time fiddlers are a lot to blame.

This year, only two competitors showed up. That is correct, only two fiddlers. In the previous years that I have attended, there were at least four competitors vying for the top prize, which is $200.00 plus a trophy and some material awards such as CDs and songbooks. Second place is $100.00 plus a trophy and prizes, and third place is $50.00 plus trophy and prizes. There are usually non-monetary prizes for fourth and fifth places as well. Heck, if I would have known, I would have brought me fiddle with me and hacked through “Flop Eared Mule” just to get the $50.00 cash!

The two competitors that did show up are regular fiddlers on the state’s old-time fiddle circuit. Two-time winner Trae McMaken, who I have discussed in a previous blog (https://luegra.design.blog/2022/05/14/trae-mcmakens-michigan-fiddle-website/), and old-time fiddle instructor Dave Langdon. I recently posted a video of Dave doing instruction at the Michigan Fiddler’s Association conference earlier this year in Hastings. (https://www.youtube.com/watch?v=7aziU3k6zXQa).

As expected from those familiar, Trae won again this year, and Dave came in second. That was it, the contest lasted about 30 minutes total, including trophy presentation. Audience attendance was sparse, as the preceding act was the local middle school’s band and choir performing the same songs they have done every year, and parents taking pictures, then abruptly leaving when it was over. A few that were there seemed to enjoy a change of pace as far as entertainment was concerned, but of course, there was the screaming kid and parents that refuse to control the kid.

There were a few fiddlers that usually show up every year that didn’t show this year, which surprised me, the MC Tom McKinney, and the two competitors. I know that it was disheartening for a few of us who wanted to see those old faces, as well as hope for one or two newbies. Two years ago, a young girl named Belinda impressed me with her beginner skills that I sought her out in order to get her parents to apply for a Southeast Michigan Bluegrass Music Association scholarship.

With Trae winning a third time, he is considered by rules to be a Master Michigan Old-Time Fiddler, and is no longer eligible to participate in future competitions. So what does that mean? If this year is any indication, there will be only one person showing up to compete next year, if the contest is even held at all.

So what seems to be the problem? There are a lot of little issues that build up to create this dilemma. First, there is very little advertisement for the contest. The Applefest itself has some local advertising, but they are going to promote the festival first, and the fiddle contest, which the festival planners are basically giving a time slot to the fiddle contest and considering it part of the entertainment along with the middle school presentation and a few tribute bands. The organizers of the contest need to get the word out to more music stores, schools and folk music venues to gain interest from both fiddlers and fans. A few years back, I suggested to chief organizer Jim McKinney (Tom’s father and also a fine fiddler) to do a showcase at Elderly Instruments in Lansing a month prior. That peaked some interest in the contest, and I believe there was about 10 competitors that year. When I attend the annual Old-Time Fiddlers Convention in Hastings, there is not talk about the contest, let alone any flyers promoting it. How about putting some flyers up at non-musical locations, like supermarket bulleting boards, area historical museums, and sending announcements to local college and highschool radio stations?

I have done the word-of-mouth to many fiddlers in the area, but there is a general lack of interest due to a number of reasons. One fiddler stated that she would participate if the contest was on a different weekend, as she was doing some instruction at a local music camp. I doubt that the contests organizers would move the contest to another location or weekend as they have held it at the Applefest for at least two decades.

Unlike other fiddle contests, the Michigan Old-Time Fiddlers Contest has strict rules for the participants. The main concern is that the fiddlers perform about 90 seconds each of a waltz, a schottische, a reel and a jig, staying as close to the original structure of the song as possible in order to provide music that one could do cotilion style dancing. There is to be no flashy playing, and songs such as “Orange Blossom Special” or “Lee Highway Blues” are not allowed. This means many country fiddlers would not consider entering the contest, but one would think that some fiddlers would appreciate the challenge of performing such tunes.

Even though I consider myself a bluegrass fan first, I love listening to all forms of roots-based music, including old-time fiddle tunes, as I consider this a precursor to bluegrass. I would think that some bluegrass fans would take the time to check this event out and support these fiddlers.

I have been told by a few that it is a bad weekend to hold the contest, as there are so many things going on in early October, especially on the weekends. Kids have football games, there are other fall festivals going on that may be closer, and the autumn chores of raking leaves and winterizing the homes. In all honesty, there is never a good weekend to schedule some event that doesn’t conflict with other events, no matter what the season. Again, this comes back to promotion, letting people know far in advance that the contest is always at the Applefest held on the first weekend of October, almost always on the Saturday. Because I look forward to the contest, as there is not much other musical events going on at the time, I mark my calendar months in advance. I would hope that other interested parties would do the same.

The contest has always had a decent amount of sponsors to support the contest, providing cash prizes, trophies, and consolation items. If this contest keeps losing interest form the fan base as well as the fiddlers, these sponsors may discontinue providing their services, which in turn would mean the contest may be dissolved completely. In short, the organizers need to step up a bit more tho at least guarantee that there are more than two contestants as well as letting people know that this music is a part of Michigan history.

Chew on it and comment.

Categories
Musical Instruments Old-Time Fiddle

Longest Yard Sale/Old-Time Fiddler Covention 2024

Apologies for being a day late, but this weekend was the one that I visit both the US 12 Longest Yard Sale and the Michigan Fiddlers Association Old-Time Fiddlers Convention.

Friday was the day for the year sale. While they advertise it going from Detroit to the western border at New Buffalo, things don’t start to really show up until after Saline if you travel west on the road. Nothing for knick-knacks this year for me, but I did pick up a few music bargains.

  • MXL 770 large-diaphragm condenser microphone. I really have no need for one of these, as I just sold off a similar one last year and have an older MXL model that I still keep. However, it was a good price, and it was never used, with a shock mount still wrapped up in plastic. I am sure that I can re-sell it and make a few dollars.
  • Kustom KLA 10 guitar practice amplifier. Again, I have a few small practice amps already, but I picked it up for next to nothing. These are pretty good, reliable little amps, as Kustom has been putting them out for years. I will probably do a review on this next week.
  • Jasmine by Takamine S-35 acoustic guitar. I did an overview of my experiences with Jasmine guitars in a previous blog (https://luegra.design.blog/2023/09/30/jasmine-guitars-the-good-as-well-as-the-bad-and-ugly/). This particular guitar was made while Jasmine was still a part of the Takamine company. These are high-quality beginner guitars that can hold up to models costing a lot more (these go for about $100.00 used), and it came with a high-end Road Runner case/gig-bag. I paid $60.00 for the package, which is nearly what the gig bag cost new. The guitar was hardly touched. The seller told me that he purchased it for his daughter in high school and she lost interest rather quickly. When I got home, as I was cleaning out the gig bag, I found some lyrics that the girl must have written while she was still interested in playing and performing. Very cliché lyrics about breaking up with a boyfriend, but I had to smile that she at least tried to write a song. I have another S-35, and I will look at selling at least one if not both in the near future.
  • 2002 Made in Mexico Fender Stratocaster. Despite being over 20 years old, it still had the cellophane on the pickguard and wammy bar cover. All I can figure that it sat for all of that time because the nut is cut too low on the B string, so the original owner never bothered to fix it. That’s a $20.00 job if I do it myself, probably $50.00 or so if I get a shop to do it. We shall see if I budget my time, and it’s not like I have to do it right away. I still got a decent deal on it, and while I don’t play electric guitar much, I know a deal when I see it.

There is not a lot of music equipment available along the strip of sales, mostly clothes, old toys, and possible collectible antiques. But I have been going every year since before COVID, and I will surely take the day off from work to go again next year.

Saturday I spent a few hours at the Old-Time Fiddle Convention in Hastings, Michigan. While this is not a big event, those that attend for the three days are extremely loyal fiddlers interested in old-time music and jamming with others. I probably could have more time there, but traffic accents and construction took a lot of my Saturday morning time. I caught the end of the Sing-Along workshop by Glen Warners, then watched the Michigan Fiddle Tunes workshop hosted by Dave Langdon. Dave is a great old-time fiddler, playing left handed. However, his instructional skills are less than satisfactory. While the class worked on two simple fiddle tunes, and most everyone there were competent with the tunes, Dave tends to just play a part of the tune and then have everyone join in. There is very little discussion on notes, and he doesn’t even give a count to start the song, he just jumps in and expects everyone to catch what he is doing. There were a few instances that students had to point out that he wasn’t following the sheet music verbatim, but said that he had his own style. Fortunately, everyone in attendance was very friendly and appreciative of the workshop.

I was able to make a simple video of the Langdon workshop with my older video camera (I’m still having problems with the video camera I purchased last year, and the instruction manual is all in Chinese, so I still have a lot to learn with it). I will post it on my YouTube page later this week.

I would love to see more people at the convention. Unfortunately, Hastings is not that easy to drive to, and people interested in old-time fiddle music are usually going to hit more popular events such as Galax in Virginia. The MFA doesn’t do much to advertise the event either, so attendance depends mostly through word-of-mouth from previous attendees. I have chatted this event up to many other bluegrass musicians and fiddlers, but just about everyone feigns interest. I do plan on going next year, as well as hitting the old-time fiddle contest in New Boston this October.

Chew on it and comment.

Categories
Gospel Music Old-Time Fiddle

2023 Michigan Old-Time Fiddle Contest/Sister Servants/Christian Youth Singers

Two weekends ago was the 2023 Michigan Old-Time Fiddlers Contest at the Applefest in New Boston. There were only four participants, and when I saw Trae McMaken (last year’s winner) seated near the stage, I knew that he would be this year’s winner as well. The guy is THAT good!

The contest was held later in the afternoon, which did see a bit more people in the audience than in previous years. There are also the problems with scheduling. First and foremost, the contest always goes on after the performance by the local middle school orchestra and choir. Every year, that performance always runs over because they go on late due to poor organization by the school music director. Thus, the contest began about 30 minutes late, and as expected, the blues/rock cover band scheduled to go on after the contest decided to start setting up some of its equipment during the contest.

It is sad that this old-time fiddle music is not as appreciated here in Michigan as it is in other parts of the country. I have preached about Michigan’s fiddle and music history many times, but it seems that very few people outside of the actual musicians care about it. I am glad to see that the Southeast Michigan Bluegrass Music Association has gotten some interest from young musicians recently for the scholarship awards. We have awarded one more student some scholarship money since I last wrote about it (https://luegra.design.blog/2023/08/06/sembma-scholarships-part-2/). I was hoping to see a new young fiddler at this year’s contest, but the four contestants were older fiddlers that have participated a number of times.

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We can always hope for next October! In the meantime, if any of you know of any young fiddlers (or banjo players, or mandolin players, or acoustic guitarists) playing bluegrass or old-time music, be sure to send them to the SEMBMA website and have them fill out a scholarship application (https://smbluegrass.org/scholarships/).

As many of you know, I am moving out of my house and moving back into my folks’ house as they both have passed away. I have sold the house and will be completely out by November 1st. So every day I have been grabbing a box or two and shipping it back to my new homestead. Yesterday, while in Hamatramck at a stop light, I noticed a group of young people (about eight) on the corner singing standard Gospel songs like “Rock of Ages” and “Amazing Grace.” They were from a Christian youth group connected with Living Waters (http://www.livingwaters.com/). It was extremely strange, as Hamtramck has become a highly populated Muslim community, and of course, tensions due to the Hamas attack on Israel recently has gotten a lot of people on edge. But there they were, being brave, singing old-time Gospel tunes and holding signs requesting looking toward Jesus.

It warmed my heart to see that. While I am a devout Roman Catholic, I have always loved the songs that early bluegrass Gospel brought forth. On my way back down the street, I saw that they were still singing, so I went to the local store, picked up some soft drinks, and gave it to them, letting them know how beautiful the singing was. They were friendly, and while they started to try to get me to be a part of their organization, I felt obliged to let them know of my faith in Catholicism and that my parish was a few blocks from where we were.

Seeing young people so motivated by their Christian beliefs, and what is more to be standing in an area that could prove to be hostile, was extremely moving, Then again, Jesus was not set on preaching to the believers, but to preach to those that were straying from the Lord and help them see the light.

I end this blog with a video that my friend Sister Clare Marie of the Sister Servants of the Eternal Word sent me. I mentioned this group in previous blogs (https://luegra.design.blog/2020/08/07/nuns-performing-bluegrass-and-diversity/ and https://luegra.design.blog/2021/12/04/715/). These wonderful ladies stay in my heart always.

Chew on it and comment.

Categories
Folk Music

Trae McMaken’s Michigan Fiddle Website

Trae McMaken is not necessarily a household name with Michiganders or area fiddlers, but he probably should be. A fiddle enthusiast and Michigan history buff since childhood, he has been combining his two loves over the past few years to make sure that the story of fiddle music in Michigan will not be forgotten.

Trae recently started up an educational website called Michigan Fiddle dot com (www.michiganfiddle.com). The site takes a look at Michigan folklore and how much fiddle music has had an impact on the state. In the Introduction page, he cites that fiddle music played in the past few centuries around Michigan has many ethnic influences. Because the state was continually a location for commerce, from fur trading during the 18th century, logging and copper mining in the 19th century, and the automobile industry of the 20th century, so many people came to the area from many foreign lands and brought their music with them. One characteristic of Michigan fiddling is the stress on use of the music for dance, with less flowering and ornamentation and a dedication to keeping a beat for the dancers.

The site includes many papers and articles written by Trae, as well as links to articles and recordings related to Michigan Fiddlers over the past century. He has assistance from a number of state fiddlers and historians to supplement his work. One such person, Jim McKinney, I have known for a number of years, and have supported his and his son’s work at the annual Michigan Old-Time Fiddle Championship held at the Huron Applefest in New Boston every October.

When one thinks of old-time fiddle music in America, thoughts usually go to the music of the Appalachian Mountains, the hills of Kentucky, or the plains of Texas. Michigan rarely gets a notice. Henry Ford loved fiddle music, and Beaver Island off the west coast of the northern Lower Peninsula has always had a strong fiddle presence. I am keeping this week’s blog short, as I would want you to instead spend some time checking out Trae’s site dedicated to Michigan old-time fiddling (see above link). Also check out this video of him performing some Quebecois music for the dancers.

Chew on it and comment.

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