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Steve Cropper RIP

On December 3rd, one of the coolest rock and R&B musicians passed away. Steve Cropper was was 84, but he gave the music world enough joy to come from four or five lives. He was a guitarist, songwriter, and producer during a time when pop music was exploding in the 1960s, and his stamp can still be heard in the grooves of modern performances.

My first experience (as well as many others) was seeing and hearing him play guitar with John Belushi and Dan Ackroyd in the Blues Brothers Band. When they were forming the band originally as a skit for Saturday Night Live, Belushi wanted to have the best available R&B studio musicians to re-establish that original powerful sound. Thus, he nabbed Cropper and bassist Duck Dunn, who were two of the most stable musicians from the Stax Records studio.

After hearing the band’s version, I sought out the original version performed by Sam &Dave. Belushi even copied the “play it, Steve” shout to Cropper that’s on the original. That Sam & Dave song got me to look more into Stax artists, and with Otis Redding, Wilson Pickett, Rufus Thomas and others, Cropper laid down the guitar tracks on almost all of them.

Cropper, along with Dunn, Al Jackson, and Booker T. Jones, made up the instrumental supergroup Booker T and the MG’s, which not only served as the basic Stax studio band, but also had a number of instrumental hits, including, “Green Onions” and “Time is Tight.” They also worked with the Memphis Horns as the moniker the Mar-Keys. Cropper was so influential during the mid-1960s that the Beatles wanted to record with him in Memphis at the Stax studio. Unfortunately, manager Brian Epstein put a halt to that due to security reasons. Ringo Starr would have Cropper appear on a number of his solo albums during the 1970s.

Besides his guitar skills, Cropper was also a prolific songwriter. His best-known writes and co-writes include Eddie Floyd’s “Knock on Wood,” Wilson Pickett’s “In the Midnight Hour,” and Otis Redding’s “(Sittin’ on) the Dock of the Bay” (which also includes some of the most beautiful guitar licks Cropper ever performed).

Stax was highly influential, as it was one of the few record companies that had both black and white musicians working together to create a unique R&B sound. Unfortunately, by the end of the 60s, tensions grew within the organization, and in 1970 Cropper had left Stax to open his own TMI Studios in Memphis. There he would work with Starr, Rod Stewart, and Jeff Beck among others.

In 1975, Cropper moved to Los Angles for continued studio work, and was in the works to re-form Booker T and the MG’s until drummer Jackson was murdered. In 1978 he and Dunn would work with Levon Helm. This soon led to the duo becoming members of the Blues Brothers Band, and appearing in the two films (The Blues Brothers and Blues Brothers 2000, playing themselves).

In 1992, Booker T and the MG’s were inducted into the Rock & Roll Hall of Fame, and Cropper would then tour with Bob Dylan for Dylan’s 30th Anniversary Tour. In 1996, Mojo Magazine named him ‘the greatest living guitar player. Keith Richards was quoted as saying that Cropper was “Perfect, Man!” In 1998, Cropper made a video autobiography entitled The Interview – Play It, Steve! In 2004, he and Dunn worked with Eric Clapton at the Crossroads Guitar Festival in Dallas. The following year, he was inducted into the Songwriters Hall of Fame.

Over the following two decades, Cropper would continue to produce albums for other artists and perform live. At this time, the cause of his death is unknown, but the music world had definitely lost one of its star performers.

For any musician, especially guitarists, wanting to know how to perfectly blend rock, blues, country and R&B, I implore you to seek out recordings that Cropper was on, most notably his guitar work on those early Stax sessions., He was one of the few guitarist to take the Fender Telecaster beyond its twangy country roots and give it an all-encompassing sound. He will surely be missed, but he has left us a truckload of music to enjoy and learn from.

Chew on it and comment.

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