What ever happened to the making of that Bill Monroe docudrama?
That thought came across my mind a few days ago. If you don’t remember or haven’t ever heard about it, back around 2012, there was in the works a movie that was going to tell the life story of Bill Monroe, based on the book Can’t You Hear Me Callin’ by Richard D. Smith. The film would star Michael Shannon as Monroe, with appearances by Tim Blake Nelson as Lester Flatt and Ricky Skaggs as Uncle Dave Macon. T-Bone Burnett and Ronnie McCoury were picked to head the musical direction, and even Uncle Pen’s fiddle would be featured as an instrument in the soundtrack.
The news was applauded in the bluegrass community, and even a rudimentary trailer was made (of which I cannot find a copy on YouTube or any other website), but just as fast as it was announced, the drawing board disappeared. An article on the Bluegrass Today website in 2019 stated that work was still in progress for the film, but nothing has been heard since from Hollywood.
It seems that a story like Monroe’s is too boring to the masses. That is because very few really know his story. This is a guy who created a style of music that is still viable today, yet was also an adulterer, was prejudiced against younger bluegrass performers (he refused to work on the Nitty Gritty Dirt Band’s Will the Circle Be Unbroken album, which later became one of the best-selling country/bluegrass albums of all time), and had dozens of musicians leave his band for various reasons, but mostly due to his poor payments to them. His relationships, both personal and professional, were the makings of a classic soap opera.
Yet this man is still held in the highest regard in the bluegrass community, like a demigod. I advise anyone to read either the book mentioned above, or one of the many other biographies on Monroe to see what his life was like. Just the story of how his prized Gibson F-5 mandolin was destroyed by an intruder (most likely a past mistress who sought revenge) into a thousand pieces, and the Gibson Guitar factory literally took each toothpick-sized piced and carefully put the instrument back together.
Monroe is just one amazing character from the bluegrass realm that deserves a docudrama made about him. There are so many others whose lives would make a great Hollywood movie:
Doc Watson: He became blind at the age of two, yet he was still able to do chores such as chop wood at his homestead, and tuned pianos on the side. He first played electric guitar in a Western swing band, but was discovered by musicologist Ralph Rinzler, who convinced him to tour the folk circuit playing fiddle tunes on an acoustic guitar. He toured with his son Merle starting in the mid-1960s, and appeared on the above-mentioned NGDB album, which revived his career in the folk and bluegrass communities. His son was killed in a tractor accident in 1985, and he established the world-famous Merlefest music festival two years later. He received seven Grammys, the US National Medal of the Arts, and a doctorate from Berklee College of Music before his death in 2012.
The Carter Family: AP Carter, his wife Sara, and her sister Maybelle (who was married to AP’s brother) began performing together in the mid-1920s. It was their travel to Bristol, Tennessee in 1927 to record for Ralph Peer (who also recorded Jimmie Rodgers at that same session period) that they became legendary. AP would travel the entire Appalachian area to find relevant folk songs that he copyrighted, and the sisters would perform then as a duo, with AP occasionally adding background vocals. Maybelle’s style of “scratch” guitar picking would influence thousands of guitar players in later years. AP’s long time away from home led to Sara having an affair with his cousin, which lead to a 1936 divorce and the dissolving of the band in 1944. Maybelle would continue to perform with her daughters Helen, Anita, and June, would appear on the NGDB album mentioned above, and many of the band’s songs have become staples in bluegrass, country, and Gospel settings.
Dave Evans: An amazing bluegrass singer and banjo player, he performed with a number of popular bands in the 1970s. His life changed dramatically around 1989 when, after an incident involving his son being shot at by some troublemakers, he took the law into his own hands. He was convicted of assault by a court that would not provide him counsel, and served six years of a ten-year sentence. During that time, he gained the respect of his fellow prisoners with his soulful singing and songwriting, and would return to the bluegrass stage upon his release until his death in 2017.
I can think of a few others, such as Roy Lee Centers, Carter Stanley, and Hazel Dickens, that deserve more than just a brief documentary. Hollywood is too much into the cash-cow filmmaking of superhero continuum and fast-and-furious car chasing garage. The docudrama Walk the Line about Johnny Cash was successful enough that it should have motivated more films similar in structure.
I leave you with a clip from a live Dave Evans performance. Dig that voice!
Chew on it and comment.
Luegra 