Category: Bluegrass Music

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Bluegrass Music

SPBGMA 2025 Summary

Last week I was in Nashville for the SPBGMA conference. Once again, I had a great time! I will be hitting there again next January, hoping to make even more connections. As I did last year, here are some of the good and bad points about the conference and Nashville:

QR Code Parking – I see some cities slowly getting rid of this nuisance, but not Nashville. I hit a downtown garage for 20 minutes and paid $7.00. Later in the weekend, I swallowed my pride and went to Elliston Place (more on that later), and the meter stated $1.75 for one hour. So I scanned the QR code, and then was charged another 68 cents for Travel Fee (my out-of-town license plate?). So now it is $2.43. I am in the restaurant for 20 minutes, and my phone shows a text that my time is almost up! I can see how they sucker people into paying more by this tactic.

Band Competition – There were a few good bands, but the one that I was most impressed with was Lake Side out of Madisonville, TN (www.lakesidegospel.com). The quartet performs mostly bluegrass gospel tunes, and it has some great harmonies. The guitarist for the band is Jonathan Manness, an old acquaintance that I knew from his playing with Valerie Smith & Liberty Pike. It was great seeing him after a number of years. I surely thought that they would place at least 2nd if not 1st, but they came in 5th place. For a list of the finalists, go to the Bluegrass Today website link (https://bluegrasstoday.com/2025-spbgma-international-band-championship-results/).

Alaskan Sunnyside Sisters – This band of young sisters was also in the competition, but did not make it as a finalist. Yes, they were still rough sounding and not truly professional, but I absolutely fell in love with them, as did much of the audience. They performed some bluegrass standards, reminding me a lot of The Peasall Sisters who performed for the O Brother, Where Art Thou? soundtrack. They are completely adorable, and are really enthusiastic to get better at their instrument playing and singing. I talked to their mother and told her that I would help in any way that I could to get them better. I also recommended that they listen to Hazel Dickens & Alice Gerrard music for some inspiration and song coverage. They made some good friends at the conference, including Whysper Stephenson, daughter of Larry Stephenson, who was more than happy to jam with them. I highly recommend that you check out some of their videos on their YouTube channel (https://www.youtube.com/@Alaskansunnysidesisters).

Hollace Oakes – I had blogged about this young fiddling prodigy a few months back (https://luegra.design.blog/2024/11/02/two-great-young-fiddlers/). I was hoping that she would show up at SPBGMA, as there are videos on YouTube of her at Galax and IBMA World of Bluegrass. I finally got to talk to her and her father late in the conference schedule, but told them that anything that I could do to help out her fiddling and potential career they should feel free to ask. I told her that it would be great to see her on the band competition stage next year, so hopefully she will be able to form a band to back her by then. She also posted a few videos of the week on her YouTube channel (https://www.youtube.com/@HollaceOakes).

Jamming – As expected, the four days of the conference saw a lot of jam sessions going on in rooms, the lobby and hallways. Because I was doing more networking for my songwriting, I wasn’t able to participate in any true jamming. However, some of what I heard was not only fantastic, but inspired me to write down some song ideas. If you go to YouTube and search “SPBGMA 2025,” I am sure that a few dozen videos will show up showing how great it was. Of course, my old body could not stay up too late to enjoy, so I had my earplugs in when I went to bed earlier than most others.

The Kaintuck Band – So this band was practicing in the room next to mine on Friday. I was in my room thinking that I had not heard any jammers playing one of my favorite songs, “Thirty Years of Farming,” by James King (written by Fred Eaglesmith). Sure enough, God strike me dead, within 10 seconds of that thought, the band next door kicked into it. It was like mental telepathy! Of course, I had to get my shoes on and go to their room and talk to them. Nice guys, the guitarist/singer was from La Grange, KY, where I usually stop on my way to Nashville to have breakfast at the Waffle House. I may have talked about this town before. The Main Street in town has active railroad tracks running right down the center, and there are videos on YouTube showing cars almost getting hit by locomotives. It totally reminds me of Mayberry on The Andy Griffith Show.

Jimmy Martin’s Guitar – There it was, on a guitar stand in the hotel lobby. I was ready to take a photo of it, but a relative of Martin’s was there, and she asked if I wanted to pick it up and play it. REALLY? I had to! Man, it was like touching a piece of Heaven!

Food – I hit the Waffle House a few blocks away from the hotel every morning. I absolutely love their Signature Bowl, and if you are there, you HAVE to have the waffles at least once! As stated previously, I went to the famous Elliston Place, but it wasn’t the same. It had moved out of its old location in the diner building and built a new, larger restaurant next door. The decor is the same, but not the spirit, The food is still great, but it seems like smaller portions. One thing that hasn’t changed is its selection of shakes and malts. I had a caramel malt, and I was in Heaven! I also visited the famous Prince’s Hot Chicken. There was a location only a few miles from my hotel, but because of construction the entire way, it took me almost an hour to get there. The place has a number of levels of chicken heat, from Mild to XXXHot. I went for the Medium, and one bite of the chicken fingers that I ordered was burning my tongue! Trust me, it was excellent, but if the Medium was that hot, I would NEVER go near anything more hot.

IMG Retail – I am going to do a whole blog about this place and experience next week, but let me say that it was such a fun experience that I plan on going back to Nashville sometime this spring or summer just to re-visit this place.

Bands – Along with the Larry Stephenson Band, other popular bands that performed at the awards show included The Grascals, Junior Sisk, Rhonda Vincent & The Rage, and Nothin’ Fancy. During the week, a number of other bands that performed included Dave Adkins, NU-BLU, Edgar Loudermilk, and my favorite band, The Kody Norris Show. One band that I had wanted to see for a long time was The King James Boys. They are a fantastic bluegrass gospel group, with amazing harmonies. There was a young lady sitting near me that seemed to know every word of every song that they performed. I asked her if she was related to anyone in the band. She said that she was not, just someone that was a big fan of the band. I immediately tagged her as a “Gospel Groupie,” a term that she and the band loved, and have proceeded to start writing a song about the experience.

Sylamore Special – This band won the band competition last year, and tradition is that the winner performs at the closing of the following year’s conference. The band was great back then, but has matured even more to being a fantastic bluegrass band this year. These younger performers have a good chance of being in the high ranks of bluegrass bands within a few years.

Songwriter Workshop/Showcase – I had complained about labeling this event as a workshop last year, and in some of the promotional material, it was deemed a “showcase.” However, some other material still listed it as a workshop. It still consisted of four bluegrass songwriters (Johnny Williams, Jeanette Williams, Donna Ulisse and Rick Stanley) performing some of their compositions to the audience. As I have stated previously, a workshop would be professional songwriters sitting down with aspiring ones and helping them to better their craft.

Well, that was one of my longer blogs, so I will end it there for now. Chew on it and comment.

Categories
Bluegrass Music

Buck White RIP

Another bluegrass and traditional country music legend has left us. On January 13th, Buck White passed away at the age of 94. At the time, he was the oldest suriving member of the Grand Ole Opry.

Born in 1930 in Texas, White played mandolin and piano around the state, later relocating to Arkansas. He formed the country music group the Down Home Folks, which his daughters Sharon and Cheryl would later join. After an outstanding performance at Bill Monroe’s Bean Blossom Festival in 1971, the band/family was encouraged to move to Nashville. There they worked with Emmylou Harris and Ricky Skaggs, whom Sharon would eventually marry.

In 1983 the band changed its name to The Whites, and became members of the Opry a year later. While they were popular there and on tour, it was the group’s appearance in the film O Brother, Where Art Thou? (where they would appear as a faint imitation of the Carter Family) and its soundtrack that gave them worldwide acclaim. The band toured in support of the soundtrack, as well as the documentary made regarding the soundtrack entitled Down From the Mountain. They would eventually win two Grammys, as well as numerous country, bluegrass, and gospel music awards.

One bright star regarding his passing, the soundtrack to O Brother, Where Art Thou? re-entered the Billboard Album chart at Number 2 today. Note that the soundtrack album won the Country Music Association’s Album of the Year in 2001, and a Grammy in 2002. It also won two awards that year at the International Bluegrass Music Association’s ceremony, and has presently sold over 8 million copies.

My favorite memory of Buck White was when I went to see one of the package shows that was supporting Down From the Mountain as well as the movie Cold Mountain. On previous tours, the shows would have a music or film celebrity to join the tour as a master of ceremony. This particular show in Detroit did not have an MC, so Buck walked out on stage to introduce the first act. No one was paying attention, but I stood up, started applauding and shouting his name. It took about 10 seconds for others to start joining in, but he smiled at me for knowing who he was. I was also extremely pleased to see him come out to buck dance when the band Reeltime Travelers were performing.

As my friend Ken wrote back to me when I texted him about Buck’s death, “All our heroes are dying.” It is true, the legends that have helped create the Americana music format, as well as keeping bluegrass and traditional country music alive when it was low on the totem pole, are leaving us one by one. I thank God that was have been able to at least soak in some of the great music that the legends have given us in a live setting. Buck will be missed by many, including me.

Chew on it and comment. My blog next week may be either short or late, due to being in Nashville for the SPBGMA conference.

Categories
Bluegrass Music Lutherie

Getting Ready for SPBGMA/Fesley Body Finishing

I leave for Nashville in less than two weeks for the SPBGMA conference, and I am getting ready in more ways than one. Packing clothes and medicines will get done a few days before, but what I am doing now is getting things done for my networking down there.

I have already posted two new songs on my ReverbNation page, and I may tag on one more before the week is over. I have learned that it is easier and less cumbersome to upload songs on the ReverbNation page and hand out business cards than making a bunch of demo CDs and handing them out. My problem is still getting the nerve to approach artists that I don’t already know.

I really didn’t do any jamming last year, so I plan to try and get into it more this year. I’ll take the Sevillana guitar down with me. Last year I took way too many guitars and a bass with me, and hardly opened up a case let alone jammed. Plus, It takes up way too much room in my small car.

I have already set up some time with one songwriter to hopefully do some co-writing. The conference ends Sunday, but I’ll be sticking around Monday just for the reason of possible songwriting work.

I’m not sure if I will be doing any contacting for article writing. I haven’t heard back from my editor at Fiddler Magazine in a long while. I sent in an article recently, and ever since the magazine went online-only, It has been hard to stay in touch.

I’m also taking down a lot of 12-packs of Vernors Ginger Ale. This is a Detroit staple, and I know a lot of friends down there that crave it and can’t get it in Nashville.

If the weather is behaving, I will probably hit Rosine, Kentucky on the way down and pay my respects to Bill Monroe. It is a time-consuming detour, but I feel it has to be done when the opportunity arises.

Of course, I have to hit the Waffle House, Jack’s BBQ, and I hope to visit another Nashville eatery institution, Prince’s Hot Chicken. The original location is just a few miles from my hotel down there, so I don’t have an excuse. While I’m not a big fan of hot chicken, I do like to try places that are featured on food-related television shows and YouTube channels. I’ve seen some great stories about Prince’s, so it is a must!

Changing topics, I decided to get started on finishing one of the guitar bodies. I’m starting with the Fesley Strat body, since it was the best set-up already smooth sanded. I buffed it a bit more with OOOO grade steel wool. It is too cold to do spray painting outside, and I don’t have good ventilation for spraying inside the house, so I’m trying my hand at stain/finishing it with a combination stain and polyurethane coating and a brush. It is a lot more difficult to work with than I imagined, as the stain does not seem to go on that even, perhaps due to the polyurethane. I will probably end up doing at least five or six coats and sanding between them. I do like the color that came out. I am using a stain labeled Mahogany, and on the mahogany body, it darkens it nicely. The label says you can do sanding and re-coating after an hour, but I plan to let it dry for a day and see what happens.

Chew on it and comment.

Categories
Bluegrass Music

Three More YouTube Recommendations

A short blog this week, just showcasing three YouTube channels that you may want to check out.

World Bluegrass Day – I am not sure when this channel officially launched, but it was created to celebrate World Bluegrass Day on October 1st. The channel currently has 205 videos dedicated to promoting the bluegrass format. This includes performances from legendary artists, interviews, and short documentaries on related artists and festivals. It is definitely worth it for anyone wanting to learn more about bluegrass, which now during the winter months and spending more time indoors, might be a worthwhile subscription.

Cody M. Music – Cody is a recent graduate from the Bluegrass and Old-Time Country Music program at East Tennessee State University. He’s a multi-instrumentalist, but this channel is dedicated to playing bluegrass guitar. He covers choices in guitars, rhythm patterns, simple solos, and has a thing for covering Billy Strings techniques. Some of his advice and lessons are great, but I find myself disagreeing with a few of his statements and suggestions. I do recommend checking out the channel, as you may pick up some improvements on your bluegrass guitar playing.

Deeslounge615 – I first visited Dee’s Lounge when I was in Nashville last year for the SPBGMA conference. I saw Chris Jones and The Night Drivers one night and Bronwyn Keith-Hynes the next night. The cool thing is that it broadcasts shows at the bar live on its YouTube channel every night a band is performing. If you subscribe to the channel, they will send you a notification what artist is performing that evening, and you have the option of “tipping” the artist through Venmo. Acts include bluegrass, country, roots-rock and folk. If you need a dose of live music but don’t feel like leaving the house because of the weather, this is a great alternative.

Chew on it and comment.

Categories
Bluegrass Music

Visiting the Bluegrass Hall of Fame & Museum

I finally got to the Bluegrass Hall of Fame and Museum in Owensboro, Kentucky after wanting to get there for years! I had a few days off during the Thanksgiving weekend, so I made the eight-hour trek.

First off, just because Kentucky is south of Michigan doesn’t necessarily mean it would be warmer down there. I froze most of the time there and took the wrong jacket. But it was still worth it to go. I thought that the building would be larger than it is, but the work done with displays and exhibits use the space perfectly.

Walking into the museum, one is met by a friendly worker that explains all of the rules and features. You are given a Walkman-style device that narrates parts of the museum displays by programming in the number on the wall next to the display. To be honest, I didn’t use it much, as I already knew the history of the photos and items. And those items were fantastic to see! Carter Stanley’s Martin guitar, Bill Monroe’s Rolodex that had all of his business contacts, John Hartford’s banjo, and Uncle Pen’s fiddle. There was a video accompanying the fiddle showing a number of bluegrass fiddlers playing the legendary instrument. The best was when Ricky Skaggs, after playing the fiddle, says, “That’s got some stank to it!”

There was a display of some of today’s popular bluegrass acts. I was happy to see my “kid sister,” Vickie Vaughn, in a photo with her band Della Mae.

One other great section is a bunch of acoustic instruments hanging on a wall that are purposely there for visitors to try and play. Bluegrass has always been a format that common people play, so it makes sense for that music to be accessed easily by the people attending.

One of the best displays was dedicated to bluegrass history coming from the Cincinnati/Dayton, Ohio area. Banjoist Joe Mullins narrated the video, showing all of the locales that bands like the Osborne Brothers and J.D. Crowe performed, as well as radio stations and record companies such as the legendary King Records, home of the Stanley Brothers, Reno & Smiley AND James Brown!

The second floor had the Hall of Fame member display. It was great to see all of the artists, radio D.J.’s, and promoters that made bluegrass music famous and have kept it alive. Two plaques that I definitely wanted to see were of guitarist Clarence White and his brother, mandolinist Roland White. Clarence was inducted in 2017, with Roland inducted in 2018. I was disappointed in the fact that the brothers’ plaques were not next to each other, separated by two other 2018 inductees. I made the suggestion to move Roland’s next to Clearance, as it would be spiritually important for the brothers to be together again. Hopefully that move will be made soon.

Also on the second floor was one of the main reasons that I made the trip — The bluegrass dedication to Jerry Garcia. While I have never been a big fan of the Grateful Dead, I have always valued Garcia and his love and respect for all roots music. He started out playing folk music, moving on to playing banjo in the Hart Valley Drifters before forming the Dead. During the 1970s, while the Dead was taking a break, he played banjo in the legendary band Old & In The Way. Up until his death in 1995, he was continuing to perform acoustic music with various side projects.

I totally recommend anyone into roots music to make the trip to Owensboro (about a 90-minute drive west of Louisville by way of I-64/U.S. 231 through Indiana) and visit the museum. By the way, there is also the Green River Distillery a few blocks away, just in case you need another reason to go.

Chew on it and comment.

Categories
Bluegrass Music

Bluegrass Covers of Pop and Rock Songs

Here’s something that I wanted to blog about for a while now, but I never really knew how to approach the subject. I am going to talk a little about bluegrass artists covering pop and rock songs, trying to get them to sound bluegrass.

This idea has been around since bluegrass was still in its youth and the birth of rock-n-roll. Most everyone knows that Elvis Presley’s first single contained a rockabilly send-up of Bill Monroe’s lamenting waltz, “Blue Moon of Kentucky.” Mr. Monroe didn’t think much of the cover, that is, until the royalty checks started coming in. Then, he was so impressed that he re-recorded the song to include a rockin’ 4/4 time version on the second half of the recording.

Through the years, bluegrass bands have dipped into the pop and rock-roll bag to get new musical ideas as well as to keep bluegrass relevant. Jim & Jesse McReynolds recorded a whole album’s worth of Chuck Berry songs. Through the 1960s, bands such as Flatt & Scruggs and the Country Gentlemen often picked up on rock and folk songwriters for material. Flatt & Scruggs had a minor hit with the Lovin’ Spoonful’s “Nashville Cats” (which Del McCoury also recorded, and I will look at later), and a number of Bob Dylan compositions. That led to the disagreements of the band’s direction and ultimate break up. Earl Scruggs would go on to record and perform a number of pop and rock songs with his sons, while Lester Flatt would delve back into the traditional bluegrass sound.

During the 1970s and 80s, there was a lot of bluegrass artists covering pop and rock songs. Tons of bluegrass bands were covering the Beatles’ songs because they were popular. The Seldom Scene covered Ricky Nelson’s “Hello Mary Lou” (which has now become a bluegrass standard), as well as many Grateful Dead compositions. Of course, it helped that the band, particularly Jerry Garcia, was big fans of bluegrass, and the Garcia/Robert Hunt writing team was highly influenced by old-time music. Progressive bluegrass bands such as the New Grass Revival would often incorporate pop and rock songs their albums. NGR does an amazing cover of Marvin Gaye’s “Ain’t that Peculiar.”

But what about today’s bluegrass bands and their choices in pop and rock music. Some bands such as Del McCoury can pull it off pretty well. Take his cover of the aforementioned “Nashville Cats”:

However, with his band’s cover of Buffalo Springfield’s “For What It’s Worth,” in which they are joined by Sierra Hull, the Gibson Brothers, and a few others, it comes off to me as very tiring:

A few years back, the Grascals, who have always been known to cover popular country songs, had a bluegrass hit with its version of the Monkees’ “Last Train to Clarksville.” For me, it was OK, but not fantastic. Granted, at the time of the release, the Grascals were probably the most popular band in bluegrass, so they could take a chance on material.

Of course, Alison Krauss knows a good song when she hears one, and can make it her own. While not exactly bluegrass, she did put an acoustic swing to Bad Company’s “Oh, Atlanta”:

One artist that I think has a really good ear on choosing pop and rock songs to cover in the bluegrass vein is Dale Ann Bradley. I have always been a big fan of her, and part of the reason is that she chooses great material to record. Here are two fine examples of covers – the Kris Kristofferson/Janis Joplin hit “Me and Bobby McGee,” and Tom Petty’s “I Won’t Back Down”:

A band out now that I really like is Echo Valley. They are a bunch of young kids that sound great together, and I was glad to finally see them live last January at the SPBGMA conference. They perform some great bluegrass gospel, and have a few decent traditional sounding songs. However, I am not too impressed with their choices of covering modern rock songs. Among these are Journey’s “Don’t Stop Believing,” Electric Light Orchestra’s “Don’t Bring Me Down,” and Guns & Roses’ “Sweet Child O’ Mine”:

Again, I really like this band, but the choice of rock songs makes me wince. Maybe it’s me, but I just don’t hear a good melding of genres here.

This is definitely a “Chew on it and comment” blog. I would like to hear what others think. My blog next week will be a little late, as I will be going to Owensboro, Kentucky on the Thanksgiving weekend to visit the Bluegrass Music Hall of Fame and Museum.

Categories
Bluegrass Fiddle Old-Time Fiddle

Two Great Young Fiddlers

Occasionally, the YouTube algorithm pays off. In recent days, I have come across two young fiddlers that impressed me with their talent. It makes my heart swell that there are some young people out there that are really taking an interest in music, particularly roots music like old-time fiddling. It brings up my spirits after the disappointing turnout at the Fiddle Contest I was at a few weeks ago (https://luegra.design.blog/2024/10/12/2024-michigan-old-time-fiddlers-contest-sad-turnout/).

The first is Fiddlin’ Hayley King. I only found her a few days ago, so I haven’t seen a lot of her videos, and I notice that her YT page does not have a lot of them. However, I was impressed with her original tune, “Little White Pumpkin,” which she performs on both fiddle and clawhammer banjo. From the looks of it, she also plays mandolin and guitar, and has a sweet voice. There’s not much information about her on the internet besides the YT page and a Facebook page, but a 2019 article on her states that she secured a full ride scholarship from Morehead (Kentucky) State University at age 16 (https://www.blythewoodonline.com/2019/01/king-fiddles-her-way-to-college/). She is definitely someone who will snag some interest in the bluegrass and old-time fiddle crowd shortly. I do see her being picked up be a bluegrass band real soon.

Next is Hollace Oakes. At 14 years old, she is impressing everyone that comes across her. Another multi-instrumentalist (fiddle, mandolin, piano, guitar) as well as flatfoot/clogging expert, she has competed for the last few years at the famous Galax Old-Time Fiddle Convention for the past few years, winning the blue ribbon in 2023. This past August, she performed the National Anthem on fiddle at the Convention. She is often seen performing with clawhammer banjoist Margo McSweeny, and has won praises and jammed with Carley Arrowood. I have a feeling that within five years, this young lady will be appearing on a lot of bluegrass stages, probably even the Grand Ole Opry stage.

It does my heart good. Chew on it and comment.

Categories
Bluegrass Music Polka Music

Tidbits #8: John Candy/Vickie Vaughn/David Mayfield Parade

I have always loved John Candy. I miss him dearly. Uncle Buck is a classic comedy, right up there with Some Like It Hot. I also treasure his cameo in Home Alone, where he plays Gus Polinski, band leader for the Kenosha Kickers polka band. Growing up around a father that was obsessed with polka music, and as a kid having to go to numerous Polish picnics and have my father talk to various band members that he grew up with, I can truly appreciate Candy’s character in the movie.

I decided to show my love and appreciation recently by ordering myself a Gus Polinski Kenosha Kickers tour jacket. Gold with red piping, the band’s logo emblazoned on back and the name “Gus” embroidered on the left breast. I ordered a 3XL through Amazon, figuring that would make it comfortable to wear. Well, when the package came a few days ago and I saw the Asian shipping address, I knew that I was going to be a little disappointed. The 3XL in Asia clothing mirrors an XL here in the US. It barely fit, and the sleeves are a bit tight. Moreover, the name “Gus” is not embroidered but is a simple patch sewn on. I did write a negative review on Amazon, but I don’t feel like going through the hassle of returning it, as I will still have to pay postage and fight the foreign company through Amazon.

Congratulations to my “kid sister” Vickie Vaughn, who this past week won Bass Player of the Year at the IBMA World of Bluegrass Awards Show for the second year! She totally deserves it, as she is a workhorse when it comes to performing live. She currently plays with both Della Mae and High Fidelity, as well as sits in with a number of other touring bands and, when she’s home in Nashville, spanks the doghouse bass on Mondays with Bronwyn Keith-Hynes at Dee’s Lounge. I suggest that you watch the Dee’s Lounge YouTube channel on Monday evenings for Bronwyn’s jam sessions.

I first met Vickie in 2014 at the IBMA Leadership Bluegrass conference. We hit it off immediately. I call her my kid sister not only because she is everything that I would have wanted in a younger sister, but that our personal lives have paralleled in many ways over the years. She knows that she can always count on me if she ever needs anything, and she stays in my heart even though our paths cross maybe once per year. Check out some of her work with High Fidelity and solo stuff on YouTube!

This past week the David Mayfield Parade (Man, I love that band!) posted a video for their single “Times Winding Up.” The Bluegrass Today website posted an article about it, stating that fans are angered by the graphic violence portrayed (https://bluegrasstoday.com/fans-outraged-at-bluegrass-bands-shocking-new-music-video/). Well, I had to check it out, and yep, I fell for John Lawless’ tongue-in-cheek review. As I stated in the comments section, DMP is a fantastic band, and I love that they did something different than the cliché bluegrass video of the band lip-syncing to the song while performing on a log cabin porch, or shots of them recording in the studio. No, this video has a storyline, and you will love it! Watch it and see what I mean.

Chew on it and comment.

Categories
Bluegrass Music Rock Music

Tidbits #7: Wonder Woman/Microphone Shock Mount/Hamilton Book Finds

I had a crazy Thursday this past week. I took the day off to get the oil changed in my car. After that, I went to see a friend that works at a local gas station. My car has manual transmission, so when I park and turn off the engine, I usually put it in 1st gear to lock it. Well, I must have put it in a higher gear (which doesn’t lock the drivetrain), so as I was walking into the station, I noticed that my car was rolling away, heading to the street. I started running to catch it, but one other man was ahead of me, and like a super-heroine, a young lady literally jumped (practically flew) through the open window of my car and pulled the parking brake. So thank you sir (I didn’t catch his name), but a special big thanks to Jessica, not only for stopping the car, but doing it in an amazing manner. Free guitar lessons to her if she ever wants to take it back up again!

For anyone using a shock mount on a large-diaphragm condenser or ribbon microphone, you know that the rubber bands used for holding the clip to the mount will stretch and wear out after a year or so. If you purchase these bands through a music store or online, they can cost around five dollars apiece. I have instead used women’s hair bands for the same job for a lot less money. You can usually pick up a bag of these at local dollar store or pharmacy. As these are smaller than the normal shock mount band, so you will need to use about eight of them to fully secure the mic clip. However, They do the exact same job, will last about the same amount of time, and will be a lot less on the wallet.

I made a purchase with Hamilton Books recently and found a few gems. First, I got Mandolin Man: The Bluegrass Life of Roland White by Bob Black. I have wanted to read this book ever since it came out in 2022, right about the time the man passed away. I met him a few times, and even went to a last-minute workshop he was hosting at The Ark in Ann Arbor about 20 years ago. He was extremely humble about his career, and was always promoting the legacy of his brother, guitarist Clarence White. I cannot wait to dive in.

The other gem is the CD Punk & New Wave: The Ultimate Collection, put out by a company called Union Square. This company issues a lot of these compilation packages from the looks of the inside cover, including Rock Anthems, Driving Songs, Northern Soul and Running Songs to name a few. I took a chance on getting this one, and WOW, I am glad that I did! Five CDs containing 100 original recordings from The Jam, The Damned, X-Ray Spex, The Buzzcocks, Joe Jackson, Squeeze, and many others from the late 1970s/early 1980s. I was practically crying when listening to the first disc, as it was a bunch of songs that I remember from my youth. I will be listening to this set over and over again!

Chew on it and comment.

Categories
Bluegrass Music

Annual SEMBMA Picnic and Hall of Honor Ceremony

Yesterday (Saturday), I attended the Southeast Michigan Bluegrass Music Association Annual Picnic and Hall of Honor Presentations. This year it was held at a park in Bath, Michigan, a town about 1- miles northeast of Lansing. The town is famous for a tragic event. In 1929, the city’s school was destroyed by a bomb planted by an irrate school board member. The bomb was supposed to detonate in the evening when no one was there, but instead exploded in mid-morning, killing 38 students. Google “Bath Michigan School Massacre” to learn more.

Moving on, in what would normally take a little more than an hour to drive from my house, took almost two hours due to the number of construction sites on the highway, along with Michigan State University football traffic. There was about 50 people in attendance, with about a dozen people being Hall of Honor recipients and relatives.

One of the recipients, who unfortunately is no longer with us and his wife was accepting the award, was Deja (pronounced “dee-jay”) Davenport. He served as a country and bluegrass DJ (ironic?) at WBYW in Grand Rapids until the station closed in 1997, then created a bluegrass program called Access to Bluegrass on AccessVision cable television network out of Battle Creek. The show lasted from 1997 until Deja’s passing in 2006. Starting out with local bluegrass bands, the show also showcased national touring bluegrass acts such as Cherryholmes, Larry Cordle, and Rhonda Vincent as word spread of the program’s success. Fortunately, most of the shows were videotaped and are now available for viewing on YouTube. To view the 500+ shows, do a YouTube search on “Access to Bluegrass Archive.”

Standing members in attendance were also able to get a quick meeting in to quickly discuss pertinent matters. We are considering sponsoring a monthly jam session at a number of locations, but there seems to be two distinct problems:

  • Not a lot of places, be they venues, meeting halls, or even a private house, are not too keen on a bunch of people showing up that are unfamiliar. There have been instances of some pickers looking at jam sessions as a place to do some drinking, and other places like bars or restaurants don’t warm up to people showing up to jam and not ordering food or drinks. Private homes may not have ample parking in the area, which makes neighbors ticked off.
  • The level of players attending is difficult to decipher as well as divide into groups. There are amateurs showing up as well as those that are practically professional pickers. If only one circle is formed, then either the pros get bored with the simple songs, or the amateurs get frustrated because they can’t keep up. One hopes that there is enough space to divide the groups, but then there is also the problem of attitude. Some people try to take over a jam session without question, which can turn off others faster than playing ability.

Another concern with the Association is the lack of students applying for the SEMBA Youth Acoustic Music Scholarships. The Association has enough money for a few scholarships each year through donations, and I spoke to one student that was at the picnic who received a scholarship this past year. I had to convince her to apply again this year, as she thought that it was only for one year. Once again, we need to hit the music stores, schools, and specific media outlets to promote this program. Anyone reading this that knows of a youth 12-18 years old in the southern Lower Peninsula of Michigan that is studying bluegrass, folk, or old-time music on an acoustic instrument, have the parents of that kid contact SEMBMA at smbluegrass@gmail.com or go to the website at www.smbluegrass.com .

Chew on it and comment.

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