Categories
Bluegrass Music

Visiting the Bluegrass Hall of Fame & Museum

I finally got to the Bluegrass Hall of Fame and Museum in Owensboro, Kentucky after wanting to get there for years! I had a few days off during the Thanksgiving weekend, so I made the eight-hour trek.

First off, just because Kentucky is south of Michigan doesn’t necessarily mean it would be warmer down there. I froze most of the time there and took the wrong jacket. But it was still worth it to go. I thought that the building would be larger than it is, but the work done with displays and exhibits use the space perfectly.

Walking into the museum, one is met by a friendly worker that explains all of the rules and features. You are given a Walkman-style device that narrates parts of the museum displays by programming in the number on the wall next to the display. To be honest, I didn’t use it much, as I already knew the history of the photos and items. And those items were fantastic to see! Carter Stanley’s Martin guitar, Bill Monroe’s Rolodex that had all of his business contacts, John Hartford’s banjo, and Uncle Pen’s fiddle. There was a video accompanying the fiddle showing a number of bluegrass fiddlers playing the legendary instrument. The best was when Ricky Skaggs, after playing the fiddle, says, “That’s got some stank to it!”

There was a display of some of today’s popular bluegrass acts. I was happy to see my “kid sister,” Vickie Vaughn, in a photo with her band Della Mae.

One other great section is a bunch of acoustic instruments hanging on a wall that are purposely there for visitors to try and play. Bluegrass has always been a format that common people play, so it makes sense for that music to be accessed easily by the people attending.

One of the best displays was dedicated to bluegrass history coming from the Cincinnati/Dayton, Ohio area. Banjoist Joe Mullins narrated the video, showing all of the locales that bands like the Osborne Brothers and J.D. Crowe performed, as well as radio stations and record companies such as the legendary King Records, home of the Stanley Brothers, Reno & Smiley AND James Brown!

The second floor had the Hall of Fame member display. It was great to see all of the artists, radio D.J.’s, and promoters that made bluegrass music famous and have kept it alive. Two plaques that I definitely wanted to see were of guitarist Clarence White and his brother, mandolinist Roland White. Clarence was inducted in 2017, with Roland inducted in 2018. I was disappointed in the fact that the brothers’ plaques were not next to each other, separated by two other 2018 inductees. I made the suggestion to move Roland’s next to Clearance, as it would be spiritually important for the brothers to be together again. Hopefully that move will be made soon.

Also on the second floor was one of the main reasons that I made the trip — The bluegrass dedication to Jerry Garcia. While I have never been a big fan of the Grateful Dead, I have always valued Garcia and his love and respect for all roots music. He started out playing folk music, moving on to playing banjo in the Hart Valley Drifters before forming the Dead. During the 1970s, while the Dead was taking a break, he played banjo in the legendary band Old & In The Way. Up until his death in 1995, he was continuing to perform acoustic music with various side projects.

I totally recommend anyone into roots music to make the trip to Owensboro (about a 90-minute drive west of Louisville by way of I-64/U.S. 231 through Indiana) and visit the museum. By the way, there is also the Green River Distillery a few blocks away, just in case you need another reason to go.

Chew on it and comment.

Categories
Bluegrass Music Rock Music

Tidbits #7: Wonder Woman/Microphone Shock Mount/Hamilton Book Finds

I had a crazy Thursday this past week. I took the day off to get the oil changed in my car. After that, I went to see a friend that works at a local gas station. My car has manual transmission, so when I park and turn off the engine, I usually put it in 1st gear to lock it. Well, I must have put it in a higher gear (which doesn’t lock the drivetrain), so as I was walking into the station, I noticed that my car was rolling away, heading to the street. I started running to catch it, but one other man was ahead of me, and like a super-heroine, a young lady literally jumped (practically flew) through the open window of my car and pulled the parking brake. So thank you sir (I didn’t catch his name), but a special big thanks to Jessica, not only for stopping the car, but doing it in an amazing manner. Free guitar lessons to her if she ever wants to take it back up again!

For anyone using a shock mount on a large-diaphragm condenser or ribbon microphone, you know that the rubber bands used for holding the clip to the mount will stretch and wear out after a year or so. If you purchase these bands through a music store or online, they can cost around five dollars apiece. I have instead used women’s hair bands for the same job for a lot less money. You can usually pick up a bag of these at local dollar store or pharmacy. As these are smaller than the normal shock mount band, so you will need to use about eight of them to fully secure the mic clip. However, They do the exact same job, will last about the same amount of time, and will be a lot less on the wallet.

I made a purchase with Hamilton Books recently and found a few gems. First, I got Mandolin Man: The Bluegrass Life of Roland White by Bob Black. I have wanted to read this book ever since it came out in 2022, right about the time the man passed away. I met him a few times, and even went to a last-minute workshop he was hosting at The Ark in Ann Arbor about 20 years ago. He was extremely humble about his career, and was always promoting the legacy of his brother, guitarist Clarence White. I cannot wait to dive in.

The other gem is the CD Punk & New Wave: The Ultimate Collection, put out by a company called Union Square. This company issues a lot of these compilation packages from the looks of the inside cover, including Rock Anthems, Driving Songs, Northern Soul and Running Songs to name a few. I took a chance on getting this one, and WOW, I am glad that I did! Five CDs containing 100 original recordings from The Jam, The Damned, X-Ray Spex, The Buzzcocks, Joe Jackson, Squeeze, and many others from the late 1970s/early 1980s. I was practically crying when listening to the first disc, as it was a bunch of songs that I remember from my youth. I will be listening to this set over and over again!

Chew on it and comment.

Categories
Bluegrass Music

Roland White RIP

Friday, April 1st saw the passing of one of the true gentlemen of bluegrass. Roland White, mandolin player and teacher for over six decades, died at the age of 83 from the effects of a heart attack from a few days prior. Legendary does not begin to describe Roland, although he was not as observed in the bluegrass scene as other mandolinists in the past few years.

Roland started out in the late 1950s with his family band, including his sister Joanne and brothers Eric and Clarence. Joanne left shortly after formation, and the three soon became The Country Boys. The youngsters performed a number of times on the show Town Hall Party, a country music program broadcast out of California during that time. Through the support of guitar great Joe Maphis, the group changed its name to The Kentucky Colonels, and they became extremely popular in the Los Angeles area. They also appeared on two episodes of The Andy Griffith Show (still as The Country Boys).

Roland joined the service in the early 1960s, during which time Clarence took more instrumental lead roles with the acoustic guitar, and history was soon made on that part. When Roland returned to the band, it recorded the iconic album Appalachian Swing, containing a number of stellar guitar/mandolin lead trades between the two brothers. Bluegrass was losing fan interest by the mid-60s, and Clarence would switch over to electric guitar, playing in Nashville West and later The Byrds. Clarence declined an offer to play guitar for Bill Monroe, so Roland took on the guitarist role in The Blue Grass Boys.

In 1973, the three White boys would reunite as the New Kentucky Colonels with Herb Pedersen and Alan Munde joining. Tragically, after only a few shows, Clarence would be killed by a drunk driver while loading gear into a car, ending this last incarnation of the brothers’ band. Roland would perform briefly with Lester Flatt and the Nashville Grass, then form the influential band Country Gazette with Munde, and remain with that band until 1991. After that, he joined another influential bluegrass band (an one of my personal favorite bands), The Nashville Bluegrass Band. He stayed with NBB until about 2000, at which time he formed The Roland White Band with his wife Diane Bouska.

During these past two decades, his name could be found on a number of bluegrass albums as guest mandolinist, including with Marty Stuart, Clint Black, Bernadette Peters, Ricky Skaggs and Ry Cooder. He also dedicated much of his time to teaching, serving in festival workshops and publishing a number of mandolin lesson books. He never let the public forget about the influential work of his guitarist brother Clarence, publishing a book of guitar transcriptions entitled The Essential Clarence White – Bluegrass Guitar Leads.

Roland was always a welcome sight at Nashville establishments like The Station Inn. When he walked in the room, it was like royalty had just come in. Everyone was in awe of this man, and he was humble enough to appreciate the attention and warm accolades. Whether he was sitting in with a band or just enjoying the show, everyone knew that there was someone special in the room.

I have two wonderful memories of Roland. The first involved a workshop that he was overseeing. A few years back, Roland was visiting relatives in the Detroit area, and scheduled a last-minute workshop at The Ark in Ann Arbor. Word spread quickly, and about 30 people, including me, were in attendance. Roland was extremely friendly and helpful to everyone there, working with many who had just picked up a mandolin only recently. While the workshop turned out to be more for absolute beginners, those of us who had a bit more mandolin experience were grateful to be in the presence of the great man. I was even surprised that Thomas Sneed, mandolinist for The Reeltime Travelers, was sitting next to me soaking in the magic.

My other memory was talking to Roland on the phone for an article on Clarence that I was writing for the now-defunct Bluegrass Now magazine. Roland continually promoted his brother’s guitar work, and was gracious enough to afford me time to talk about Clarence’s work. After that call, we would occasionally email each other (or I would get emails from his wife) updating things going on in Roland’s career. I am blessed with the friendship of country music songwriter extra ordinaire Jim Lauderdale, and have always loved the work that Jim and Roland did when Jim first arrived in Nashville. If you ever get a chance, check out the album Jim Lauderdale and Roland White, recorded in 1979 at Earl Scruggs studio. Also, you MUST secure a copy of Appalachian Swing. It is a true teaching tool for all bluegrass musicians!

Roland will truly be missed, not only for his mandolin work and as a statesman for bluegrass, but for his warm smile and friendly demeanor. He is now playing with The Angel Band.

Chew on it and comment.

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